By the combined assistance of Mrs. Hollis and Aunt Melvy, he had been
ready at half-past seven. The dance did not begin until nine; but he
was to take Annette, and the doctor, whose habits were as fixed as the
numbers on a clock, had insisted that she should attend prayer-meeting
as usual before the dance.
In the little Hard-Shell Baptist Church the congregation had assembled
and services had begun before Mr. Meech arrived. He appeared
singularly flushed and breathless, and caused some confusion by
giving out the hymn which had just been sung. It was not until he
became stirred by the power of his theme that he gained composure.
In the front seat Dr. Fenton drowsed through the discourse. Next to
him, her party dress and slipper-bag concealed by a rain-coat, sat
Annette, hot and rebellious, and in anything but a prayerful frame of
mind. Beside her sat Sandy, rigid with elegance, his eyes riveted on
the preacher, but his thoughts on his feet. For, stationary though he
was, he was really giving himself the benefit of a final rehearsal,
and mentally performing steps of intricate and marvelous variety.
"Stop moving your feet!" whispered Annette. "You'll step on my dress."
"Is it the mazurka that's got the hiccoughs in the middle?" asked
Sandy, anxiously.
Mr. Meech paused and looked at them over his spectacles in plaintive
reproach.
Then he wandered on into sixthlies and seventhlies of increasing
length. Before the final amen had died upon the air, Annette and Sandy
had escaped to their reward.
The hop was given in the town hall, a large, dreary-looking room with
a raised platform at one end, where Johnson's band introduced
instruments and notes that had never met before.
To Sandy it was a hall of Olympus, where filmy-robed goddesses moved
to the music of the spheres.
"Isn't the floor g-grand?" cried Annette, with a little run and a
slide. "I could just d-die dancing."
"What may the chalk line be for?" asked Sandy.
"That's to keep the stags b-back."
"The stags?" His spirits fell before this new complication.
"Yes; the boys without partners, you know. They have to stay b-back of
the chalk line and b-break in from there. You'll catch on right away.
There's your d-dressing-room over there. Don't bother about my card;
it's been filled a week. Is there anyb-body you want to dance with
especially?"
Sandy's eyes answered for him. They were held by a vision in the
center of the room, and he was blinded to everything else.
Half surrounded by a little group stood Ruth Nelson, red-lipped,
bright-eyed, eager, her slender white-clad figure on tiptoe with
buoyant expectancy. The crimson rose caught in her hair kept impatient
time to the tap of her restless high-heeled slipper, and she swayed
and sang with the music in a way to set the sea-waves dancing.
Public-domain text, read in full here on John Shaqi.
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