Men -- Russia -- Fiction; Russia -- Social life and customs -- 20th century -- Fiction
“My constitution’s done for!” said Semenoff suddenly in quite a
different voice, thin and querulous. “If you knew how I dread dying….
Especially on such a bright, soft night as this,” he continued
plaintively, turning to Yourii his ugly haggard face and glittering
eyes. “Everything lives, and I must die. To you that sounds a hackneyed
phrase, I feel certain. ‘And I must die.’ But it is not from a novel,
not taken from a work written with ‘artistic truth of presentment.’ I
really _am_ going to die, and to me the words do not seem hackneyed.
One day you will not think that they are, either. I am dying, dying,
and all is over!”
Semenoff coughed again.
“I often think that before long I shall be in utter darkness, buried in
the cold earth, my nose fallen in, and my hands rotting, and here in
the world all will be just as it is now, while I walk along alive. And
you’ll be living, and breathing this air, and enjoying this moonlight,
and you’ll go past my grave where I lie, hideous and corrupted. What do
you suppose I care for Bebel, or Tolstoi or a million other gibbering
apes?” These last words he uttered with sudden fury. Yourii was too
depressed to reply.
“Well, good-night!” said Semenoff faintly. “I must go in.” Yourii shook
hands with him, feeling deep pity for him, hollow-chested, round-
shouldered, and with the crooked stick hanging from a button of his
overcoat. He would have liked to say something consoling that might
encourage hope, but he felt that this was impossible.
“Good-bye!” he said, sighing.
Semenoff raised his cap and opened the gate. The sound of his footsteps
and of his cough grew fainter, and then all was still. Yourii turned
homewards. All that only one short half-hour ago had seemed to him
bright and fair and calm—the moonlight, the starry heaven, the poplar
trees touched with silvery splendour, the mysterious shadows—all were
now dead, and cold and terrible as some vast, tremendous tomb.
On reaching home, he went softly to his room and opened the window
looking on to the garden. For the first time in his life he reflected
that all that had engrossed him, and for which he had shown such zeal
and unselfishness was really not the right, the important thing. If, so
he thought, some day, like Semenoff, he were about to die, he would
feel no burning regret that men had not been made happier by his
efforts, nor grief that his life-long ideals remained unrealized. The
only grief would be that he must die, must lose sight, and sense, and
hearing, before having had time to taste all the joys that life could
yield.
He was ashamed of such a thought, and, putting it aside, sought for an
explanation.
“Life is conflict.”
“Yes, but conflict for whom, if not for one’s self, for one’s own place
in the sun?”
Thus spake a voice within. Yourii affected not to hear it and strove to
think of something else. But his mind reverted to this thought without
ceasing; it tormented him even to bitter tears.
CHAPTER V.
Public-domain text, read in full here on John Shaqi.
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