“Why, it is simply death!” thought Yourii, as his brow grew cold as ice. Then he felt a desire to paint “Death.” Seizing a knife, he angrily began to scrape off his picture of “Life.” It vexed him that that which he had wrought with such enthusiasm should disappear with such difficulty. The colour did not come off easily; the knife slipped and twice cut the canvas. Then he found that chalk would make no mark on the oil paint. This greatly troubled him. With a brush he commenced to sketch in his subject in ochre, and then painted slowly, carelessly, in a spiritless, dejected way. His present work, however, did not lose, but gained by such slipshod methods and by the dull, heavy colour scheme. The original idea of “Death” soon disappeared of itself; and so Yourii proceeded to depict “Old Age” as a lean hag tottering along a rough road in the dusk. The sun had sunk, and against the livid sky sombre crosses were seen _en silhouette_. Beneath the weight of a heavy black coffin the woman’s bony shoulders were bent, and her expression was mournful and despairing, as with one foot she touched the brink of an open grave. It was a picture appalling in its misery and gloom. At lunch-time they sent for Yourii, but he did not go, and continued working. Later on, Novikoff came to tell him something, but he neither listened nor replied. Novikoff sighed, and sat down on the sofa. He liked to be quiet and think matters over. He only came to see Yourii because, at home, by himself, he was sad and worried. Lida’s refusal still distressed him, and he could not be sure if he felt grieved or humiliated. As a straightforward, indolent fellow, he had so far heard nothing of the local gossip concerning Lida and Sarudine. He was not jealous, but only sorrowful that the dream which brought happiness so near to him had fled. Novikoff thought that his life was a failure, but it never occurred to him to end it, since to live on was futile. On the contrary, now that his life had become a torture to him, he considered that it was his duty to devote it to others, putting his own happiness aside. Without being able to account for it, he had a vague desire to throw up everything and go to St. Petersburg where he could renew his connection with “the party” and rush headlong to death. This was a fine, lofty thought, so he believed, and the knowledge that it was his lessened his grief, and even gladdened him. He became grand in his own eyes, crowned as with a shining aureole, and his sadly reproachful attitude towards Lida almost moved him to tears. Then he suddenly felt bored. Yourii went on painting, and gave him no attention whatever. Novikoff got up lazily and approached the picture. It was still unfinished, and for that reason produced the effect of a somewhat powerful sketch. Yourii had got as far as he could go. Novikoff thought it was wonderful, as with open mouth he gazed in childish admiration at the artist. “Well?” said Yourii, stepping backwards.