Sans-Cravate; or, The Messengers; Little StreamsKock, Paul de
General
Sans-Cravate; or, The Messengers; Little Streams
Kock, Paul de
French fiction -- Translations into English
Meanwhile, the sun had risen: he heard the rumbling of the milkwomen's
carts, the heavy tread of the peasants returning from selling their
vegetables at the market, the song of the early workman going to his
work, and the dialogues between the concierges as they swept their
doorsteps.
Monsieur Vermoncey rang; in a few seconds a servant appeared, whose red
face, half-closed eyes, and sluggish gait proved that he had not
followed his master's example, and that he had with difficulty roused
himself from sleep.
"Has my son come in, Florent?" inquired Monsieur Vermoncey, as if
anxious to be convinced that he had not listened intently all night.
The servant replied, rubbing his eyes:
"I think not, monsieur; but I will go to his room and see; sometimes he
doesn't wake me when he comes in."
"Ah, no! he has not come in!" said Monsieur Vermoncey to himself,
nervously pacing the floor. "And it's after five o'clock. He doesn't
usually pass the whole night away from home, without telling me.
Probably some card party which lasted till morning.--Yes, I know that I
am foolish to worry, but I cannot help it. A man endangers his life so
recklessly sometimes! Intrigues with women are often dangerous! All
husbands are not disposed to allow themselves to be betrayed, and say
nothing. But it seems that the more obstacles there are to making a
woman's acquaintance, the more determined we are to possess her."
"Monsieur Albert has not come home since yesterday," the servant
reported.
"Very well, Florent. I am going to my room; but come and tell me as soon
as my son comes in."
Monsieur Vermoncey went to his bedroom, where there were portraits of
his wife, of Albert, and of the three children he had lost. He stood a
long while in front of the picture of his wife. She had died when she
was still young and lovely, and she was so represented in the portrait.
It would be a consolation to those who die when they are still in life's
summertime to know that when we think of them we shall always recall
them as being young and fair; and regret that they could not have
enjoyed a long life, in which we fancy them growing old in years,
perhaps, but never in appearance.
After gazing long at the features of his beloved and regretted wife, he
turned his eyes sadly upon the portraits of his children. His eyes
filled with tears as he looked at those he had lost; then he glanced at
the portrait of Albert, which had been painted more recently, and was a
perfect likeness; it seemed that he hoped to derive consolation and
courage from the features of his only remaining child; but in a moment
his eyes began to wander about the room, as if in search of still
another portrait. At last he threw himself into a chair, and, resting
his head on his hand, abandoned himself anew to his reflections.
Public-domain text, read in full here on John Shaqi.
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