Sans-Cravate; or, The Messengers; Little StreamsKock, Paul de
General
Sans-Cravate; or, The Messengers; Little Streams
Kock, Paul de
French fiction -- Translations into English
"Well, I haven't lost anything at all. I still adore the fair sex,
which, I venture to say, repays my adoration with interest--too
earnestly, in fact. For I have a wife--you don't know my wife, I
believe? I'll introduce you to her; my dear fellow, she adores me, she
idolizes me! It's a genuine passion. When she goes half a day without
seeing me, she's as good as dead: she doesn't eat, she pines and
languishes, sometimes she weeps even. When I come home, I have to scold
her. 'Éléonore,' I say--her name's Éléonore--'why, Nonore, what does
this mean? What! can't I stay out a little late with friends, without
finding you in tears when I come home?' And she throws her arms round my
neck, and says: 'I thought you'd fallen off the top of an omnibus! I beg
you, my love, don't ride in the three-sou seats. Go inside, Philémon, I
implore you; ride inside; you'll make me so much happier!'--That's the
kind of a woman my wife is, and I assure you it's an infernal bore to be
loved like that!"
"You complain because the bride is too fair, but it won't always be so."
"I trust not--poor Nonore! If she knew how unworthy I am of such
adoration--for I am a double-dyed villain: I can't see a pretty face
without ogling it. Ah! I see Lucien yonder. Well, well! I really believe
we shall have the whole party."
The individual who was approaching the table at which the two friends
were seated was a young man of twenty-six, tall and slight, and
extremely thin; his face was pale, but his features were rather fine;
the expression of the eyes was very sweet, and his manners as well as
his speech were calculated to inspire interest. His dress was extremely
neat, but did not denote affluence; his black frock-coat, buttoned to
the chin, had evidently been brushed frequently, and you would hardly
have dared to detain him by grasping one of its skirts, lest it should
remain in your hand. His black cravat showed only a tiny bit of collar,
and his hat seemed to have been scrubbed with water; but his gray
trousers were spotlessly clean; and his shoes, albeit not of patent
leather, were carefully polished. The young man's name was Lucien
Grischard.
As soon as he caught sight of him, Adhémar rose and extended his hand,
crying out:
"How are you, Lucien, dear old Lucien! how glad I am to see you! for
it's a long while--nearly two years--since I laid eyes on you."
"That is true, Monsieur Adhémar, and I am very glad to see you, too. I
have been waiting impatiently for this day, which was to bring us
together."
"Why on earth do you call me _monsieur_, and not Adhémar, as you used
to? Am I not still your old boarding-school comrade?"
"Forgive me! but that was so long ago, and for the last five years you
have had nothing but success in literary and dramatic work; you have
become a celebrity! while I have remained in obscurity."
Public-domain text, read in full here on John Shaqi.
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