[105] Cf. Bernoulli, _Griechische Ikonographie_, pp. 59-72; _Cat. of Coins in the Brit. Mus., Lesbos_, pl. XXXIX; Miss Patrick, pp. 73, 81; Jacoby, _Marmor Parium_, p. 101; Forrer, _Les Portraits de Sappho sur les monnaies_, in _Revue Belge de numismatique_, 1901, pp. 413 ff.; _Zeitschrift für Numismatik_, IX. 114, pl. IV. [106] _Meisterwerke_, p. 103. [107] _Greek Hero Cults and Ideas of Immortality_, Oxford, 1921, p. 367. [108] Walters, _Cat. of Terra-cottas in the British Museum_, London, 1903, pl. 19. [109] The ancient representations of Sappho on vases have been well studied by Jahn, _Darstellungen griechischer Dichter auf Vasenbildern_, _Abh. d. Sächs. Ges. d. Wiss._, VIII. 699 ff. (1861); Comparetti, _Museo Italiano di Antichita classica_, II, 41-80, pls. III-VI (1888); Cipollini, pp. 319-344; Wilamowitz, _Sappho und Simonides_, pp. 40 ff. Little new material has come to light, but the individual vases have been better interpreted in the later publications which we cite in other notes. Aly omits the busts, though he mentions the vases, but he calls the Steinhauser fragment a clay relief and fails to recognize that it is part of a vase. [110] Cf. Jahn, pl. III; Comparetti, _op. cit._, pl. IV; Furtwängler-Reichhold, _Gr. Vas._, II, pp. 21 ff., 308 ff., pl. 64; Steiner, _Sappho_, pp. 54-5; Perrot et Chipiez, _Histoire de l’art_, X, p. 624, pl. 15; Beazley, _J. H. S._, XLII, 1922, p. 91; Pfuhl, _Malerei und Zeichnung der Griechen_, Munich, 1923, p. 399; Hoppin, _Handbook of Attic Red-figured Vases_, I, p. 461. Hoppin wrongly rejects Furtwängler’s attribution to the factory of Brygus; and wrongly identifies Hauser’s “Frau Meisterin” with Beazley’s Niobid Painter. Perrot (p. 626) says that the Munich vase belongs to a contemporary of Duris but that we shall never know the painter; but on p. 634 he says: “we would be tempted to add the vase to the Berlin amphora painter.” [111] Comparetti, _op. cit._, pl. III, 1; De Witte, _Antiq. de l’hôtel Lambert_, no. 32, pl. III; Reinach, _Répertoire des Vases_, I, p. 524. Formerly in the Dzialinsky collection at Paris. [112] Comparetti, _op. cit._, pl. III, 2; Steiner, pp. 44 ff.; Cipollini, p. 328; De Courten, p. III; Reinach _op. cit._, I, p. 525. [113] Comparetti, _op. cit._, pl. V; Cipollini, p. 331; De Courten, p. 95; _Röm. Mitt._ III, 1888, pl. IX; _Jahreshefte_, VIII. 35-40 (1905); Nicole, _Meidias_, pl. VII; Reinach, _op. cit._, I, p. 526. [114] _B. C. H._, IV. 373 (1880); Cipollini, pp. 337-8. [115] Cf. Comparetti, pl. VI; Steiner, pp. 16 ff.; Edmonds, _Class. Quart._, XVI. 1 ff. (1922), where he fails to cite _Jahreshefte_, VIII. 40 (1905). [116] J. C. Hoppin, _Handbook of Attic Red-figured Vases_, Harvard University Press, 1919, p. 410. [117] Murray, _White Athenian Vases in the British Museum_, London, 1896, pl. XVII; Pfuhl, _op. cit._, II, p. 546, fig. 527. [118] _Ann. d. Inst._, XXX, 1858, p. 42, pl. B; Cipollini, pp. 339-341. [119] Cf. Cipollini, pp. 343-4.