[120] Cf. Nicole, _Meidias_, Geneva, 1908, pls. III and VI. I cannot agree with Nicole in dating Meidias as late as 375-350 B.C. He belongs to the time of the Peloponnesian War, 431-404 B.C. This fatal war did not stop the Athenians from producing during war times such great works of art as the Erechtheum, beautiful vases and statues. Cf. also note 68 above. [121] Cf. Pfuhl, _op. cit._, p. 566, III, Fig. 557; Pellegrini, _Museo Civico di Bologna, Catalogo dei Vasi Greci_, pp. 133-135, Fig. 77. [122] _N. H._, XXXV. 141. Brunn, _Kunstgeschichte_, p. 299, identifies him with a bronze-sculptor, Leon, but we are equally ignorant about him. [123] _Anth. Plan._, 310 (Edmonds, p. 173); Tatian, _Adv. Gr._, 130. [124] Cf. Hermann, _Denkmäler der Malerei des Altertums_, pl. 28; Pfuhl, _op. cit._, p. 734; Lippold, _Röm. Mitt._, XXXIII. 71 ff. (1918). [125] For replicas of the Sappho cf. Rizzo, _Rev. Arch._, 1901, pp. 301 ff. The latest and best discussion is by Percy Gardner, _J. H. S._ XXXVIII. 10 ff. (1918). For a copy of Silanion’s Corinna at Compiègne cf. _Rev. Arch._ XXXII. 161 (1894); XXXVI 169 (1898); Furtwängler, _Meisterwerke_, pp. 99 ff. would class many of the so-called Sapphos as Aphrodite and thinks that those which are copies of fifth century art may represent the Aphrodite of Phidias which was to be seen in later days in the portico of Octavia at Rome (Pliny, _N. H._ XXXVI, 15). [126] II. 4. 57. [127] _Anth. Pal._, VII. 15. [128] Cf. Fraenkel, _Inschriften von Pergamon_, 198. According to _C. I. G._ 3555 Jucundus and Cyriac of Ancona still saw the inscription at Pergamum. [129] _Ecphr._, 69-71. [130] On the Albani bust cf. _Jahrbuch_, V. 152 ff. (1890), pl. III; Morcelli, Fea, Visconti, _Descr. della Villa Albani_, 1033; Schneider, _Jb. d. Ak. Kunstsammlungen_, XII, 72 ff. (1891); Arndt, Brunn-Bruckmann, _Griechische und Römische Porträts_, pl. 147-148; for the bust in the Pitti cf. Arndt, pls. 149-150; for that in the Uffizi, pls. 145-146; cf. also Cipollini, pp. 345-356. On the Biscari and Naples busts cf. Rizzo, _Rev. Arch._ XXXIX, 1901, pp. 301-307, pls. XXI, XXII. On the Constantinople head cf. Mendel’s _Cat._ no. 626. [131] _Art and Archaeology_, VI. 277 ff. (1917), Robinson, _ibid._, pp. 285 ff. I have omitted mention of many other ancient works of art wrongly supposed to represent Sappho, such as Stackelberg, _Die Gräber der Hellenen_, Berlin, 1837, pl. LXX, called Sappho with a female friend sitting in her lap, merely because of the book-roll. [132] _Arch. Anzeiger_, XXVII. 124 (1912). [133] Cipollini, p. 405, pictures Magni’s Saffo; p. 409 Confalonieri’s Saffo; p. 413 Pradier’s Sapho; p. 417 Pradier’s standing Sapho; p. 421 Barrias’ painting; p. 425 Gleyre’s couch of Sappho. There is a bust of Sappho by Canova in Turin. [134] Cf. Reinach, in _Revue Archéologique_, XX, 2. 433-434 (1912), X, 2. 392 (1919).