Family -- Fiction; Italy -- Social life and customs -- Fiction; Religion -- Fiction
Donna Tullia had risen early because she was going to sit for her
portrait to a young artist who lived in the neighbourhood of the Piazza
Barberini, and as she passed in her brougham she caught sight of the
Duchessa's liveries. The artist could wait half an hour: the opportunity
was admirable. She was alone, and would not only do her duty in going to
confession, but would have a chance of seeing how Corona looked when she
had been at her devotions. It might also be possible to judge from Padre
Filippo's manner whether the interview had been an interesting one. The
Astrardente was so very devout that she probably had difficulty in
inventing sins to confess. One might perhaps tell from her face whether
she had felt any emotion. At all events the opportunity should not be
lost. Besides, if Donna Tullia found that she herself was really not in a
proper frame of mind for religious exercises, she could easily spend a
few moments in the church and then proceed upon her way. She stopped her
carriage and went in. She had just entered when she was aware of the tall
figure of Corona d'Astrardente coming towards her, magnificent in the
simplicity of her furs, a short veil just covering half her face, and an
unwonted colour in her dark cheeks.
Corona was surprised at meeting Madame Mayer, but she did not show it.
She nodded with a sufficiently pleasant smile, and would have passed on.
This would not have suited Donna Tullia's intentions, however, for she
meant to have a good look at her friend. It was not for nothing that she
had made up her mind to go to confession at a moment's notice. She
therefore stopped the Duchessa, and insisted upon shaking hands.
"What an extraordinary coincidence!" she exclaimed. "You must have been
to see Padre Filippo too?"
"Yes," answered Corona. "You will find him in the sacristy." She noticed
that Madame Mayer regarded her with great interest. Indeed she could
hardly be aware how unlike her usual self she appeared. There were dark
rings beneath her eyes, and her eyes themselves seemed to emit a strange
light; while an unwonted colour illuminated her olive cheeks, and her
voice had a curiously excited tone. Madame Mayer stared at her so hard
that she noticed it.
"Why do you look at me like that?" asked the Duchessa, with a smile.
"I was wondering what in the world you could find to confess," replied
Donna Tullia, sweetly. "You are so immensely good, you see; everybody
wonders at you."
Corona's eyes flashed darkly. She suspected that Madame Mayer noticed
something unusual in her appearance, and had made the awkward speech to
conceal her curiosity. She was annoyed at the meeting, still more at
being detained in conversation within the church.
"It is very kind of you to invest me with such virtues," she answered. "I
assure you I am not half so good as you suppose. Good-bye--I must be
going home."
Public-domain text, read in full here on John Shaqi.
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