“I began my studies without the slightest enthusiasm. I set to work
because I had been brought to the Conservatoire for that purpose, but
I had neither taste nor inclination for the profession I was to enter.
I went to the theatre for the first time in my life two or three days
before the entrance examination. I was taken to the Théâtre Français to
see _Amphitryon_. It made me cry! The stage had really no attraction
for me. I often felt very unhappy at the prospect, and wept bitterly.
Moreover I was horribly timid. When I discussed my real inclinations
with my dear governess, Mlle. de Brabander, I felt more disposed to
study painting than anything else, but I had to give way. Mlle. de
Brabander used to take me to the Conservatoire every day. My mother
gave me the omnibus fare for both of us. I pocketed it and we walked,
because we both hated coming into contact with all sorts of people in
the omnibus. When we had enough money, that is to say, every alternate
day, we took a cab, so that we could make sure of being alone. I have
always had a horror of being obliged to rub shoulders with people I
don’t know. If I can help it, I never stay in a waiting-room or any
public place where I am obliged to inhale other people’s breath. In
this respect I have always been ferociously unsociable.
“At the commencement of my studies at the Conservatoire, I had
considerable difficulties to overcome. I inherited from my mother a
serious defect in pronunciation--speaking with clenched teeth. In all
the imitations of my style this point is seized upon. In my early
days the defect was ten times more pronounced than it is now, and it
clung to me all the time, whereas now it is only noticeable when I
am nervous, generally in the first act. To cure me of the habit, the
Conservatoire teachers gave me little rubber balls, which prevented
me from closing my mouth. My fellow-pupils included Croizette, Lloyd,
Rousseil, Dica-Petit, Léontine Massin, and Mme. Provost-Poncin. Among
the men was Coquelin, who was always very nice to me.
[Illustration: Mme. Guérard.]
Public-domain text, read in full here on John Shaqi.
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