Autobiographical fiction; French fiction -- Translations into English
“There’s very little difference. To destroy a man’s fortune is worse
than to kill the man himself.”
“I bet twenty louis, monsieur; there are forty due me.”
“Faith, monsieur; there are only thirty left on the cloth.”
“Just see what a mixed company there is! One can’t play cards in peace.”
“Very true. But it’s almost six months since we saw the Spirit. Do you
think he’s a living being?”
“Well, barely.”
These last remarks were made in my neighborhood by persons whom I did
not know, and who passed out of hearing just as I was summarizing in one
last thought my reflections, in which black and white, life and death,
were inextricably mingled. My wandering imagination, like my eyes,
contemplated alternately the festivities, which had now reached the
climax of their splendor, and the gloomy picture presented by the
gardens. I have no idea how long I meditated upon those two faces of
the human medal; but I was suddenly aroused by the stifled laughter of
a young woman. I was stupefied at the picture presented to my eyes.
By virtue of one of the strangest of nature’s freaks, the thought half
draped in black, which was tossing about in my brain, emerged from it
and stood before me personified, living; it had come forth like Minerva
from Jupiter’s brain, tall and strong; it was at once a hundred years
old and twenty-two; it was alive and dead. Escaped from his chamber,
like a madman from his cell, the little old man had evidently crept
behind a long line of people who were listening attentively to
Marianina’s voice as she finished the cavatina from _Tancred_. He seemed
to have come up through the floor, impelled by some stage mechanism. He
stood for a moment motionless and sombre, watching the festivities, a
murmur of which had perhaps reached his ears. His almost somnambulistic
preoccupation was so concentrated upon things that, although he was
in the midst of many people, he saw nobody. He had taken his place
unceremoniously beside one of the most fascinating women in Paris, a
young and graceful dancer, with slender figure, a face as fresh as a
child’s, all pink and white, and so fragile, so transparent, that it
seemed that a man’s glance must pass through her as the sun’s rays pass
through flawless glass. They stood there before me, side by side, so
close together, that the stranger rubbed against the gauze dress, and
the wreaths of flowers, and the hair, slightly crimped, and the floating
ends of the sash.
Public-domain text, read in full here on John Shaqi.
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