Autobiographical fiction; French fiction -- Translations into English
He wore a white waistcoat embroidered with gold, in the old style, and
his linen was of dazzling whiteness. A shirt-frill of English lace,
yellow with age, the magnificence of which a queen might have envied,
formed a series of yellow ruffles on his breast; but upon him the lace
seemed rather a worthless rag than an ornament. In the centre of
the frill a diamond of inestimable value gleamed like a sun. That
superannuated splendor, that display of treasure, of great intrinsic
worth, but utterly without taste, served to bring out in still bolder
relief the strange creature’s face. The frame was worthy of the
portrait. That dark face was full of angles and furrowed deep in every
direction; the chin was furrowed; there were great hollows at the
temples; the eyes were sunken in yellow orbits. The maxillary bones,
which his indescribable gauntness caused to protrude, formed deep
cavities in the centre of both cheeks. These protuberances, as the
light fell upon them, caused curious effects of light and shadow which
deprived that face of its last vestige of resemblance to the human
countenance. And then, too, the lapse of years had drawn the fine,
yellow skin so close to the bones that it described a multitude of
wrinkles everywhere, either circular like the ripples in the water
caused by a stone which a child throws in, or star-shaped like a pane of
glass cracked by a blow; but everywhere very deep, and as close together
as the leaves of a closed book. We often see more hideous old men; but
what contributed more than aught else to give to the spectre that rose
before us the aspect of an artificial creation was the red and white
paint with which he glistened. The eyebrows shone in the light with a
lustre which disclosed a very well executed bit of painting. Luckily
for the eye, saddened by such a mass of ruins, his corpse-like skull was
concealed beneath a light wig, with innumerable curls which
indicated extraordinary pretensions to elegance. Indeed, the feminine
coquettishness of this fantastic apparition was emphatically asserted
by the gold ear-rings which hung at his ears, by the rings containing
stones of marvelous beauty which sparkled on his fingers, like the
brilliants in a river of gems around a woman’s neck. Lastly, this
species of Japanese idol had constantly upon his blue lips, a fixed,
unchanging smile, the shadow of an implacable and sneering laugh, like
that of a death’s head. As silent and motionless as a statue, he exhaled
the musk-like odor of the old dresses which a duchess’ heirs exhume from
her wardrobe during the inventory. If the old man turned his eyes toward
the company, it seemed that the movements of those globes, no
longer capable of reflecting a gleam, were accomplished by an almost
imperceptible effort; and, when the eyes stopped, he who was watching
them was not certain finally that they had moved at all. As I saw,
beside that human ruin, a young woman whose bare neck and arms and
Public-domain text, read in full here on John Shaqi.
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