Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History — John Shaqi
Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in HistoryCarlyle, Thomas
Philosophy
Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History
Carlyle, Thomas
Clothing and dress -- Fiction; Conduct of life -- Fiction; Didactic fiction; Germany -- Fiction; Heroes; Philosophers -- Fiction; Satire
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EVERYMAN'S LIBRARY
Founded 1906 by J. M. Dent (d. 1926)
Edited by Ernest Rhys (d. 1946)
ESSAYS & BELLES-LETTRES
SARTOR RESARTUS _and_ ON HEROES
BY THOMAS CARLYLE . INTRODUCTION
BY PROFESSOR W. H. HUDSON
THOMAS CARLYLE, born in 1795 at Ecclefechan, the son of a
stonemason. Educated at Edinburgh University. Schoolmaster for
a short time, but decided on a literary career, visiting Paris
and London. Retired in 1828 to Dumfriesshire to write. In 1834
moved to Cheyne Row, Chelsea, and died there in 1881.
SARTOR RESARTUS
ON HEROES
HERO WORSHIP
THOMAS CARLYLE
LONDON: J. M. DENT & SONS LTD.
NEW YORK: E. P. DUTTON & CO. INC.
_All rights reserved
Made in Great Britain
at The Temple Press Letchworth
for
J. M. Dent & Sons Ltd.
Aldine House Bedford St. London
First published in this edition 1908
Last reprinted 1948_
INTRODUCTION
One of the most vital and pregnant books in our modern literature,
"Sartor Resartus" is also, in structure and form, one of the most
daringly original. It defies exact classification. It is not a
philosophic treatise. It is not an autobiography. It is not a romance.
Yet in a sense it is all these combined. Its underlying purpose is to
expound in broad outline certain ideas which lay at the root of
Carlyle's whole reading of life. But he does not elect to set these
forth in regular methodic fashion, after the manner of one writing a
systematic essay. He presents his philosophy in dramatic form and in a
picturesque human setting. He invents a certain Herr Diogenes
Teufelsdroeckh, an erudite German professor of "Allerley-Wissenschaft,"
or Things in General, in the University of Weissnichtwo, of whose
colossal work, "Die Kleider, Ihr Werden und Wirken" (On Clothes: Their
Origin and Influence), he represents himself as being only the student
and interpreter. With infinite humour he explains how this prodigious
volume came into his hands; how he was struck with amazement by its
encyclopaedic learning, and the depth and suggestiveness of its
thought; and how he determined that it was his special mission to
introduce its ideas to the British public. But how was this to be
done? As a mere bald abstract of the original would never do, the
would-be apostle was for a time in despair. But at length the happy
thought occurred to him of combining a condensed statement of the main
Public-domain text, read in full here on John Shaqi.
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