Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in HistoryCarlyle, Thomas
Philosophy
Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in History
Carlyle, Thomas
Clothing and dress -- Fiction; Conduct of life -- Fiction; Didactic fiction; Germany -- Fiction; Heroes; Philosophers -- Fiction; Satire
To the Editor of these sheets, as to a young enthusiastic Englishman,
however unworthy, Teufelsdroeckh opened himself perhaps more than to
the most. Pity only that we could not then half guess his importance,
and scrutinise him with due power of vision! We enjoyed, what not
three men in Weissnichtwo could boast of, a certain degree of access
to the Professor's private domicile. It was the attic floor of the
highest house in the Wahngasse; and might truly be called the pinnacle
of Weissnichtwo, for it rose sheer up above the contiguous roofs,
themselves rising from elevated ground. Moreover, with its windows it
looked towards all the four _Orte_, or as the Scotch say, and we ought
to say, _Airts_: the sitting-room itself commanded three; another came
to view in the _Schlafgemach_ (bedroom) at the opposite end; to say
nothing of the kitchen, which offered two, as it were, _duplicates_,
and showing nothing new. So that it was in fact the speculum or
watch-tower of Teufelsdroeckh; wherefrom, sitting at ease, he might see
the whole life-circulation of that considerable City; the streets and
lanes of which, with all their doing and driving (_Thun und Treiben_),
were for the most part visible there.
"I look down into all that wasp-nest or bee-hive," have we heard him
say, "and witness their wax-laying and honey-making, and
poison-brewing, and choking by sulphur. From the Palace esplanade,
where music plays while Serene Highness is pleased to eat his
victuals, down to the low lane, where in her door-sill the aged widow,
knitting for a thin livelihood, sits to feel the afternoon sun, I see
it all; for, except the Schlosskirche weathercock, no biped stands so
high. Couriers arrive bestrapped and bebooted, bearing Joy and Sorrow
bagged-up in pouches of leather: there, top-laden, and with four swift
horses, rolls-in the country Baron and his household; here, on
timber-leg, the lamed Soldier hops painfully along, begging alms: a
thousand carriages, and wains, and cars, come tumbling-in with Food,
with young Rusticity, and other Raw Produce, inanimate or animate, and
go tumbling out again with Produce manufactured. That living flood,
pouring through these streets, of all qualities and ages, knowest thou
whence it is coming, whither it is going? _Aus der Ewigkeit, zu der
Ewigkeit hin_: From Eternity, onwards to Eternity! These are
Apparitions: what else? Are they not Souls rendered visible: in
Bodies, that took shape and will lose it, melting into air? Their
solid Pavement is a picture of the Sense; they walk on the bosom of
Nothing, blank Time is behind them and before them. Or fanciest thou,
the red and yellow Clothes-screen yonder, with spurs on its heels and
feather in its crown, is but of Today, without a Yesterday or a
Tomorrow; and had not rather its Ancestor alive when Hengst and Horsa
overran thy Island? Friend, thou seest here a living link in that
Tissue of History, which inweaves all Being: watch well, or it will be
past thee, and seen no more."
Public-domain text, read in full here on John Shaqi.
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