He was particularly interested in the trio that sat two tables to
his right, where they could command a view of rue Port Neuf as well
as the street that led to the Mayou bridge. They were swarthy and
aquiline-featured. Two were Syrian Arabs; but the third, despite his
dark skin and foreign air, was no Semite, but an Aryan: a Kurd from
Kurdistan, one of those fierce mountaineers who in their native land
are the terror of Turk and Persian alike. Yet the trio had kinship in
at least one feature: the dilated pupils and the staring glassiness of
their eyes.
As Farrell raised his glass and sniffed the odor of the cloudy drink,
he smelled trouble as well as _anis del oso_. D'Artois' somber hints
were having substantial realization. Farrell's first reaction was
to loosen the pistol in his shoulder holster. The peculiar stare of
their eyes convinced Farrell that he had picked up the trail of that
which d'Artois felt would lead to the source of the bedevilment of
Antoinette's nights.
Farrell continued his apparent enjoyment of idleness. His broad
shoulders slumped. He languidly passed his fingers through his sandy
hair; but for all his efforts to maintain his poise, his long, lean
frame was tense, and chills raced up and down his spine, despite the
warmth of the day.
He summoned the waiter and called for brandy.
Then he noted that an exotic, imported car was coming to a smooth
halt at the curbing. A footman in livery opened the door and stood at
attention as a woman emerged from the rich upholstery and silver and
cut glass of the town car that bore the crest of the Marquis des Islots.
Farrell recognized the woman as La Dorada. He wondered, as he saw her
step to the curbing, why a carpet had not been unrolled to keep her
feet from the contamination of the paving. The scarcely perceptible
breeze wafted a breath of perfume whose cost rumor had for once fallen
short of exaggerating.
La Dorada was passing the table of the trio from Asia. The one facing
the Mayou bridge made a gesture. His lips moved. At that distance,
Farrell could not hear what he said. La Dorada apparently paid no
attention to the murmur. She was accustomed to whispered admiration.
Farrell ignored the warning of his intuition: it was too unbelievable
and outrageous.
Then it happened. The Kurd, who faced Farrell, leaped cat-like to his
feet. A knife flashed in his hand. La Dorada started at Farrell's
warning cry, and added her own note of dismay as she saw his hand with
an incredibly swift gesture seek his armpit.
"Smack-smack-smack!" roared the heavy automatic.
The Kurd pitched backward to the paving, groaning and clutching his
stomach.
But even as Farrell drew and fired, the Syrian whose back had been
turned to Farrell leaped from his place. And the knife he held found
its mark, full in the breast of La Dorada.
The pistol spoke, but too late. Even as the impact of the heavy slug
bowled the Syrian over in a heap, his blade sank home.
Public-domain text, read in full here on John Shaqi.
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