* * * * *
The long beam of the headlights swept the château, then picked up the
winding road as the car headed back toward the city. D'Artois sat
hunched behind the wheel. Farrell shivered at the memory of that
ghastly loveliness that had greeted them from the grave.
"I know she was dead," reiterated Farrell. "She couldn't have been
alive. Not with that dagger I saw jammed into her breast this
afternoon. But why did he invite you? What everlastingly damned
mummery--there's something behind all this--she's going to greet them
in the Garden and there will be no farewell--was that all illusion,
or----"
Farrell slumped back against the cushions and made a gesture of
bewilderment and futility.
They left the river road, passed through the Mousserole Gate, and
threaded their way through the unsavory quarters between there and the
Nive. As they crossed the first of the seven bridges that span the
river, d'Artois suddenly jerked back from his crouch behind the wheel.
"_Nom de Dieu!_" he exclaimed.
Farrell, aroused by the note of alarm, glanced at his companion and saw
that the horror on his face was in keeping with the consternation in
his voice.
The car leaped forward as d'Artois stepped on the accelerator.
"Death and damnation!" he shouted above the full-throated roar of the
motor. "We sat there like dummies. _That_ is what he wanted!"
"What?" demanded Farrell, tense, and alarmed by d'Artois' contagious
excitement. A sudden fear seized him.
"A trap. Not for your worthless head nor mine, but for her!
Thaumaturgy! If there is but one greater damn fool than Glenn Farrell,
it is Pierre d'Artois!"
They passed the plaza, and with a screech of brakes slowed down enough
to make the turn at rue Port Neuf. Then up rue d'Espagne, around the
hairpin turn, and thence down the street along the city wall. Again the
brake linings smoked their wrath and squealed their protest. Fuming
and cursing in a high rage, d'Artois leaped to the curbing, dashed up
the steps, and pounded Antoinette Delatour's door with the butt of his
pistol.
"_Qu'est-ce qu'il y a?_" cried the terrified, bewildered maid.
"Flames and damnation! Open, quick!" demanded d'Artois. "_C'est moi!_"
"But she is sleeping," protested the maid, still half asleep.
"Hasten, then. If she sleeps, wake her--is she indeed----"
And as the door yielded, d'Artois, pistol in hand, charged up the
stairs, taking them three at a time. Farrell was but a jump behind him.
They pounded on Antoinette's door. No response.
"The key----" began d'Artois.
But Farrell stepped back, gathered himself, and charged the door. It
resisted the shock; but a second assault burst it open, tearing the
lock from its socket.
The floor of Antoinette's room was covered with fallen plaster. Her bed
was empty. A hole two feet square yawned in the ceiling. The turquoise
and silver slippers mocked them.
"Gone!" muttered Farrell.
Public-domain text, read in full here on John Shaqi.
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