"And as to Antoinette's Arabic remarks in her sleep: the bride of the
garden, dispossessed of her body for the time, sought Antoinette's. And
by that astral connection which she retained with her own, she felt the
scourgings administered in the garden, and expressed herself, through
Antoinette's lips, as you heard."
D'Artois emerged from his chair and bowed with formal precision.
"I will therefore leave you here, my blundering Afghan, to have your
wounds properly nursed while I go about doing all that an old man
can do under the circumstances: envy you, and write a monograph on
_Messieurs les Assassins_, and Satan's Garden, from which you so
happily emerged."
With a peremptory gesture, he cut short Antoinette's insistence upon
his pausing for at least a moment. Then, halting at the door, he
concluded as he glanced at Farrell, "_Mordieu_, and to think that you
enjoyed all that fine sword-play, while I, Pierre d'Artois, had to
wear a diving-suit to find a fight, and then had to use a crowbar! In
_several_ ways I envy you."
THE END
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account