Satan's Invisible World Displayed; or, Despairing Democracy: A Study of Greater New YorkStead, W. T. (William Thomas)
History
Satan's Invisible World Displayed; or, Despairing Democracy: A Study of Greater New York
Stead, W. T. (William Thomas)
New York (N.Y.) -- Politics and government; Police -- New York (State) -- New York
Such then is the outward and visible aspect of the Empire City, a city
which from its situation is beautiful exceedingly, and which until quite
recently was regarded as the joy of the whole earth, and which still does
honour to the statue of such a martyr of Liberty as Nathan Hale. How it
has come to pass that the mighty has fallen, and the city which was once a
name at the sound of which men renewed their hope and faith in the
progress of the world, has become a byword, a hissing and reproach, it
will be the object of this volume to explain. It is a subject in which we
of the Old World have weighty reason to be interested. For we have
suffered a severe blow and a grievous discouragement in the betrayal of
the cause of Liberty in the very vestibule and entrance chamber of the
Republic. For all round the world the shame of New York darkens the sombre
shade which encompasses the oppressed and gladdens with evil joy the heart
of the oppressor.
[Illustration: STATUE OF NATHAN HALE. City Hall Park, New York.]
[Illustration: THE GRIDIRON STREETS OF THE NOISY CITY. New York Post
Office, Broadway.]
CHAPTER II.
THE SECOND CITY IN THE WORLD.
A pandemonium of type-writing machines--of gigantic type-writing machines
driven by demons who never tire--in some vast hall of Eblis. The clank of
the type, the swish of the machine, the quick nervous ring of the bell,
all indefinitely multiplied and magnified, fill the vast space with a
reverberating clangour. This clangour continuously increases until its
very vibrations seem to become clotted and fill the air with a sound that
can be felt in every pore. It is like the pressure of an atmosphere so
dense you can almost cut it with a knife, an atmosphere that is never
still, but perpetually frets, and moans, and snarls with feverish unrest.
How many machines there must be to crowd the air with this million times
multiplied misery of click and clang--ring-ring--ring-ring--and clang and
click, that never stops, but rises and falls, rhythmless and rude, like
the waves of a choppy sea on a rocky beach! Now and again through the
infernal hubbub there pierces a dreadful wail,
As it were, one voice in agony
Of lamentation, like a wind that shrills
All night in a waste land, where no one comes
Or hath come since the making of the world.
How hot the air is! a temperature of the antechamber of Tophet. As the
perspiration bursts in great beads of moisture from your brow, you hear
the faint hum of circling wings, faint at first, but ever growing shriller
and more acute--hiss, zip--as the invisible fiend circles round his
prostrate victim. Hiss, zip, nearer, louder than before, audible clearly
even above the metallic storm of the type-writing machines. And as the
mosquito settles on your ear, you awake with a start and suddenly realise
where you are.
Public-domain text, read in full here on John Shaqi.
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