Since she had come to the house in the aspens Jessica had found the imagined figure of Hugh a dominant presence in a horizon lightened with a throng of new impressions. The direful catastrophe of her blindness--it had been the sudden result of an accident--had fallen like a thunderbolt upon a nature elastic and joyous. It had brought her face to face with a revelation of mental agony, made her feel herself the hapless martyr of that curt thing called Chance; one moment seeing a universe unfolding before her in line and hue, the next feeling it thrust rudely behind a gruesome blank of darkness. The two years that followed had been a period when despair had covered her; when specialists had peered with cunning instruments into her darkened eyes, to utter hopeful platitudes--and to counsel not at all. Then into her own painful self-absorption had intruded her father's death, and the very hurt of this, perhaps, had been a salving one. It had of necessity changed her whole course of living. In her new surroundings she had taken up life once more. Her alert imagination had begun to stir, to turn diffidently to new channels of exploration and interest. She had always lived largely in books and pictures, and her world was still full of ideals and of brave adventures. Gratitude had made her love the morose old invalid with his crabbed tempers; and the wandering son, choosing for pride's sake a resourceless battle with the world--the very mystery of his whereabouts--had taken strong hold of her imagination. Of the quarrel which had preceded Hugh's departure, she had made her own version. That he should have come back on this very night, when the disinheritance she had dreaded had been so nearly consummated, seemed now to have an especial and an appealing significance. Presently she rose, slipped on the red kimono, and, taking a key from the pocket of her gown, stole from the room. She ascended a stairway and unlocked the door of a wide, bare attic where the moonlight poured through a skylight in the roof upon an unfinished statue. In this statue she had begun to fashion, in the imagined figure of Hugh, her conception of the Prodigal Son; not the battered and husk-filled wayfarer of the parable, but a figure of character and pathos, erring through youthful pride and spirit. The unfinished clay no eyes had seen, for those walls bounded her especial domain. Carefully, one by one, she unwound the wet cloths that swathed the figure. In the streaming radiance of the night, the clay looked white as snow and she a crimson ghost. She passed her fingers lightly over the features. Was the real Hugh's face like that? One day, perhaps, her own eyes would tell her, and she would finish it. Then she might show it to him, but not now. She replaced the coverings, relocked the door, and went softly down to her bed.