Clergy -- Fiction; Love stories; Mistaken identity -- Fiction; United States -- Social life and customs -- Fiction
A jailbird! That was what his father called _him_! Did he mean to give
him up, then? To have him arrested--tried--put in prison? When he had
canvassed the risks of discovery, he had imagined a scene, bitter
anger--perhaps even disinheritance. His marriage to Jessica, he had
reckoned, would cover that extremity. But he had never thought of
something worse. Now, for the first time, he saw himself in the grip of
that impersonal thing known as the law--handcuffs on his wrists, riding
through the streets in the "Black-Maria"--standing at the dock an
outcast, gazed at with contempt by all the town--at length sitting in a
cell somewhere, no more pleasures or gaming, or fine linen, but dressed
in convict's dress, loose, ill-shapen, hanging on him like bags, with
broad black-and-white stripes. He had been through the penetentiary
once. He remembered the sullen, stolid faces, the rough, hobnailed
shoes, the cropped heads! His mind turned from the picture with fear and
loathing.
In the thoughts that were darting through Hugh's mind, there was none
now of regret or of pity for Jessica. His fear was the fear of the
trapped spoiler, who discerns capture and its consequent penalties in
the patrolling bull's-eye flashed upon him. He studied his father with
hunted, calculating eyes, as the old man turned to Harry Sanderson.
"Sanderson," said David Stires, once more in his even, deadly voice,
"Jessica is waiting in the room above this. She will not understand the
delay. Will you go to her? Make some excuse--any you can think of--till
I come."
Harry nodded and left the room, shutting the door carefully behind him,
carrying with him the cowering helpless look with which Hugh saw himself
left alone with his implacable judge. What to say to her? How to say it?
As he passed the hall, the haste of demolition had already begun.
Florists' assistants were carrying the plants from the east room, and
through the open door a man was rolling up the red carpet. The cluttered
emptiness struck him with a sense of fateful symbolism--as though it
shadowed forth the shattering of Jessica's ordered dream of happiness.
He mounted the stair as if a pack swung from his shoulders. He paused a
moment at the door, then knocked, turned the knob, and entered.
[Illustration]
There, in the middle of the blue-hung room, in her wedding-dress, with
her bandaged eyes, and her bridal bouquet on the table, stood Jessica.
Twilight was near, but even so, all the shutters were drawn save one,
through which a last glow of refracted sunlight sifted to fall upon his
face. Her hands were clasped before her, he could hear her
breathing--the full hurried respiration of expectancy.
Then, while his hand closed the door behind him, a thing unexpected,
anomalous, happened--a thing that took him as utterly by surprise as if
the solid floor had yawned before him. Slim fingers tore away the broad
encircling bandage. She started forward. Her arms were flung about his
neck.
Public-domain text, read in full here on John Shaqi.
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