Clergy -- Fiction; Love stories; Mistaken identity -- Fiction; United States -- Social life and customs -- Fiction
Something in the churchless evangelist bowed to the voice of
ecclesiastical authority. He went without a word.
In the study Harry Sanderson stood for a moment with the cards and the
bag of double-eagles in his hand. In his soft shirt and disordered hair,
with his preternaturally bright eyes, the white blossom on his lapel,
and the brilliant light upon his face, he might have been that
satin-sleeved colonial ancestor of his, in dissolute maturity, coming
from an unclerical bout at Loo, two hundred years ago.
Finally he put the cards and the canvas bag methodically into the safe
and closed it. Then he knelt by his desk and said, clearly and aloud--to
that cold inner symbol of consciousness in his soul:
"O God, I do not know if Thou art, as has been said, a seer of the good
that is in the bad, and of the bad that is in the good, and a lover of
them both. But I know that I am in a final extremity. I can no longer do
my labor consistently before the world and before Thee. If I am
delivered, it must be by some way of Thine own that I can not conceive,
for I can not help myself. Amen."
He rose to his feet, mechanically put on a coat that was lying on a
chair--Hugh's coat, but he did not notice this--and bareheaded passed
out to the street. The motor-car stood there. He took his place in the
forward seat, and threw on the power.
Barking joyously, Rummy, the brown spaniel, tore out of the gate, but
his master did not stop. The little creature pursued the moving car,
made a frantic leap to gain his seat, but missed, and the huge armored
wheel struck and hurled him to the gutter.
Harry did not hear the sharp yelp of pain; his hand was on the lever,
pushing it over, over, to its last notch, and the great mechanism,
responding with a leap, sped away, faster and faster, through the night.
CHAPTER XII
THE FALL OF THE CURTAIN
Harry Sanderson was acting in a kind of fevered dream. His head and
hands were bare, his face white and immobile, and his eyes stared
straight before him with the persistent fixity of the sleep-walker's.
They did not see a bowed, plodding figure pushing a rickety, wheeled
melodeon, who scurried from before the hurtling weight that had all but
run him down. Nor could they see far behind in the eddying dust a little
dog, moaning, limping piteously on three legs, with tongue lolling and
shaggy coat caked with mud--following the hopeless, bird-like flight.
Public-domain text, read in full here on John Shaqi.
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