"I was in the same year with Hugh," Harry went on. "We sowed our wild oats together--a tidy crop, I fancy, for us both. That page of my life is pasted down. I speak of it now because it would be cowardly not to. I have not seen Hugh since college closed four years ago. But then I was all you have called him--a waster and a prodigal. And I was more; for while others followed, I led. At college I was known as 'Satan Sanderson'." He stopped. The old man cleared his throat, but did not speak. He was looking at Harry fixedly. In the pause the girl found his gnarled hand and laid her cheek against it. Harry leaned an elbow upon the mantelpiece as he continued, in a low voice: "Colleges are not moral strait-jackets. Men have there to cast about, try themselves and find their bearings. They are in hand-touch with temptation, and out of earshot of the warnings of experience. The mental and moral machine lacks a governor. Slips of the cog then may or may not count seriously to character in the end. They sometimes signify only a phase. They may be mere idiosyncrasy. I have thought that it stood in this case," he added with the glimmer of a smile, "with Satan Sanderson; he seems to me from this focus to be quite another individual from the present rector of St. James." "It is only the Hugh of the present that I am dealing with," interposed the old man. For David Stires was just and he was feeling a grim respect for Harry's honesty. Harry acknowledged the brusque kindliness of the tone with a little motion of the hand. As he spoke he had been feeling his way through a maze of contradictory impulses. For a moment he had been back in that old irresponsible time; the Hugh he had known then had sprung to his mind's eye--an imitative idler, with a certain grace and brilliancy of manner that made him hail-fellow-well-met, but withal shallow, foppish and incorrigible, a cheap and shabby imitator of the outward manner, not the inner graces, of good-fellowship. Yet Hugh had been one of his own "fast set"; they had called him "Satan's shadow," a tribute to the actual resemblance as well as to the palpable imitation he affected. Harry shivered a little. The situation seemed, in antic irony, to be reversing itself. It was as if not alone Hugh, but he, Harry Sanderson, in the person of that past of his, was now brought to bar for judgment in that room. For the instant he forgot how utterly characterless Hugh had shown himself of old, how devoid of all desire for rehabilitation his present reputation in the town argued him. At that moment it seemed as if in saving Hugh from this condemnation, he was pleading for himself as he had been--for the further chance which he, but for circumstances, perhaps, had needed, too. His mind, working swiftly, told him that no appeal to mere sentiment would suffice--he must touch another note. As he paused, his eyes wandered to an oil portrait on the wall, and suddenly he saw his way.