Satire in the Victorian novelRussell, Frances Theresa
History
Satire in the Victorian novel
Russell, Frances Theresa
English fiction -- 19th century -- History and criticism; Satire, English -- History and criticism; Thesis (Ph. D.)
“And don’t let us give way to the vulgar prejudice that
clergyman are an overpaid and luxurious body of men. * * *
From reading the works of some modern writers of repute, you
would fancy that a parson’s life was passed in gorging himself
with plum-pudding and port wine; and that his Reverence’s fat
chaps were always greasy with the crackling of tithe pigs.
Caricaturists delight to represent him so: round, short-necked,
pimple-faced, apoplectic, bursting out of waistcoat like a
black-pudding, a shovel-hatted fuzz-wigged Silenus.”
Whereas, he goes on at length to show, the reverse is the case. Both
sides are more or less illustrative of the _argument ad hominem_.
It is Trollope who really writes of Clerical Snobs. The house-party at
Chalicotes shelters a hierarchy. Mr. Robarts arrives,--[315]
“And then the vicar shook hands with Mrs. Proudie, in that
deferential manner which is due from a vicar to his bishop’s
wife; and Mrs. Proudie returned the greeting with all that
smiling condescension which a bishop’s wife should show to a
vicar.”
From here the “young, flattered fool of a parson” is persuaded to go to
Gatherum Castle and there gets into trouble. Brought to his senses, he
meditates ruefully,--[316]
“Why had he come to this horrid place? Had he not everything at
home which the heart of man could desire? No; the heart of man
can desire deaneries--the heart, that is, of the man vicar; and
the heart of the man dean can desire bishoprics; and before the
eyes of the man bishop does there not loom the transcendental
glory of Lambeth?”
The mixture of affectionate indulgence, shrewd amusement, and
fundamental loyalty which made up Trollope’s attitude is recorded in
this symbolic portrait:[317]
“As the archdeacon stood up to make his speech, erect in the
middle of that little square, he looked like an ecclesiastical
statue placed there, as a fitting impersonation of the church
militant here on earth; his shovel-hat, large, new, and
well-pronounced, a churchman’s hat in every inch, declared the
profession as plainly as does the Quaker’s broad brim; his heavy
eye-brows, large, open eyes, and full mouth and chin expressed
the solidity of his order; the broad chest, amply covered
with fine cloth, told how well to do was its estate; one hand
ensconced within his pocket evinced the practical hold which
our mother church keeps on her temporal possessions; and the
other, loose for action, was ready to fight, if need be, in her
defense; and, below these, the decorous breeches, and neat black
gaiters showing so admirably that well-turned leg, betokened
the stability, the decency, the outward beauty and grace of our
church establishment.”
It is naturally in the Cathedral Series that clerical matters
most abound, but they appear in other volumes, especially _The
Bertrams_. Caroline Waddington, speaking of vicars, makes an empiric
induction:[318]
Public-domain text, read in full here on John Shaqi.
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