Poor dear God sat alone in his private chamber, moody, melancholy,
miserable, sulky, sullen, weary, dejected, supenally hipped. It was the
evening of Sunday, the 24th of December, 1865. Waters continually
dripping wear away the hardest stone; year falling after year will at
length overcome the strongest god: an oak-tree outlasts many generations
of men; a mountain or a river outlasts many celestial dynasties. A cold
like a thick fog in his head, rheum in his eyes, and rheumatism in his
limbs and shoulders, his back bent, his chin peaked, his poll bald, his
teeth decayed, his body all shivering, his brain all muddle, his heart
all black care; no wonder the old gentleman looked poorly as he cowered
there, dolefully sipping his Lachryma Christi. “I wish the other party
would lend me some of his fire,” he muttered, “for it is horribly frigid
up here.” The table was crowded and the floor littered with books and
documents, all most unreadable reading: missionary reports,
controversial divinity, bishops’ charges, religious periodicals, papal
allocutions and encyclical letters, minutes of Exeter Hall meetings,
ponderous blue books from the angelic bureaux—dreary as the humor of
_Punch_, silly as the critiques of the _Times_, idiotic as the poetry of
_All the Year Round_. When now and then he eyed them askance he
shuddered more shockingly, and looked at his desk with loathing despair.
For he had gone through a hard day’s work, with extra services
appropriate to the sacred season; and for the ten-thousandth time he had
been utterly knocked up and bewildered by the Athanasian Creed.
While he sat thus, came a formal tap at the door, and his son entered,
looking sublimely good and respectable, pensive with a pensiveness on
which one grows comfortably fat. “Ah, my boy,” said the old gentleman,
“you seem to get on well enough in these sad times: come to ask my
blessing for your birthday _fête_?” “I fear that you are not well, my
dear father; do not give way to dejection, there was once a man—
Public-domain text, read in full here on John Shaqi.
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