Satires of Circumstance, Lyrics and Reveries, with Miscellaneous PiecesHardy, Thomas
General
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces
Hardy, Thomas
English poetry
V
What if still in chasmal beauty looms that wild weird western shore,
The woman now is—elsewhere—whom the ambling pony bore,
And nor knows nor cares for Beeny, and will see it nevermore.
AT CASTLE BOTEREL
As I drive to the junction of lane and highway,
And the drizzle bedrenches the waggonette,
I look behind at the fading byway,
And see on its slope, now glistening wet,
Distinctly yet
Myself and a girlish form benighted
In dry March weather. We climb the road
Beside a chaise. We had just alighted
To ease the sturdy pony’s load
When he sighed and slowed.
What we did as we climbed, and what we talked of
Matters not much, nor to what it led,—
Something that life will not be balked of
Without rude reason till hope is dead,
And feeling fled.
It filled but a minute. But was there ever
A time of such quality, since or before,
In that hill’s story? To one mind never,
Though it has been climbed, foot-swift, foot-sore,
By thousands more.
Primaeval rocks form the road’s steep border,
And much have they faced there, first and last,
Of the transitory in Earth’s long order;
But what they record in colour and cast
Is—that we two passed.
And to me, though Time’s unflinching rigour,
In mindless rote, has ruled from sight
The substance now, one phantom figure
Remains on the slope, as when that night
Saw us alight.
I look and see it there, shrinking, shrinking,
I look back at it amid the rain
For the very last time; for my sand is sinking,
And I shall traverse old love’s domain
Never again.
_March_ 1913.
PLACES
NOBODY says: Ah, that is the place
Where chanced, in the hollow of years ago,
What none of the Three Towns cared to know—
The birth of a little girl of grace—
The sweetest the house saw, first or last;
Yet it was so
On that day long past.
Nobody thinks: There, there she lay
In a room by the Hoe, like the bud of a flower,
And listened, just after the bedtime hour,
To the stammering chimes that used to play
The quaint Old Hundred-and-Thirteenth tune
In Saint Andrew’s tower
Night, morn, and noon.
Nobody calls to mind that here
Upon Boterel Hill, where the carters skid,
With cheeks whose airy flush outbid
Fresh fruit in bloom, and free of fear,
She cantered down, as if she must fall
(Though she never did),
To the charm of all.
Nay: one there is to whom these things,
That nobody else’s mind calls back,
Have a savour that scenes in being lack,
And a presence more than the actual brings;
To whom to-day is beneaped and stale,
And its urgent clack
But a vapid tale.
PLYMOUTH, _March_ 1913.
THE PHANTOM HORSEWOMAN
I
Public-domain text, read in full here on John Shaqi.
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