Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces — John Shaqi
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous PiecesHardy, Thomas
General
Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces
Hardy, Thomas
English poetry
JUST at the corner of the wall
We met—yes, he and I—
Who had not faced in camp or hall
Since we bade home good-bye,
And what once happened came back—all—
Out of those years gone by.
And that strange woman whom we knew
And loved—long dead and gone,
Whose poor half-perished residue,
Tombless and trod, lay yon!
But at this moment to our view
Rose like a phantom wan.
And in his fixed face I could see,
Lit by a lurid shine,
The drama re-enact which she
Had dyed incarnadine
For us, and more. And doubtless he
Beheld it too in mine.
A start, as at one slightly known,
And with an indifferent air
We passed, without a sign being shown
That, as it real were,
A memory-acted scene had thrown
Its tragic shadow there.
THE DEATH OF REGRET
I OPENED my shutter at sunrise,
And looked at the hill hard by,
And I heartily grieved for the comrade
Who wandered up there to die.
I let in the morn on the morrow,
And failed not to think of him then,
As he trod up that rise in the twilight,
And never came down again.
I undid the shutter a week thence,
But not until after I’d turned
Did I call back his last departure
By the upland there discerned.
Uncovering the casement long later,
I bent to my toil till the gray,
When I said to myself, “Ah—what ails me,
To forget him all the day!”
As daily I flung back the shutter
In the same blank bald routine,
He scarcely once rose to remembrance
Through a month of my facing the scene.
And ah, seldom now do I ponder
At the window as heretofore
On the long valued one who died yonder,
And wastes by the sycamore.
IN THE DAYS OF CRINOLINE
A PLAIN tilt-bonnet on her head
She took the path across the leaze.
—Her spouse the vicar, gardening, said,
“Too dowdy that, for coquetries,
So I can hoe at ease.”
But when she had passed into the heath,
And gained the wood beyond the flat,
She raised her skirts, and from beneath
Unpinned and drew as from a sheath
An ostrich-feathered hat.
And where the hat had hung she now
Concealed and pinned the dowdy hood,
And set the hat upon her brow,
And thus emerging from the wood
Tripped on in jaunty mood.
The sun was low and crimson-faced
As two came that way from the town,
And plunged into the wood untraced . . .
When separately therefrom they paced
The sun had quite gone down.
The hat and feather disappeared,
The dowdy hood again was donned,
And in the gloom the fair one neared
Her home and husband dour, who conned
Calmly his blue-eyed blonde.
“To-day,” he said, “you have shown good sense,
A dress so modest and so meek
Should always deck your goings hence
Alone.” And as a recompense
He kissed her on the cheek.
THE ROMAN GRAVEMOUNDS
Public-domain text, read in full here on John Shaqi.
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