Saved from herself : $b or, On the edge of doom — John Shaqi
Saved from herself : $b or, On the edge of doomStirling, Adelaide
General
Saved from herself : $b or, On the edge of doom
Stirling, Adelaide
American fiction -- 19th century; Dime novels; Romance fiction
Mrs. Trelane bowed graciously; if she had not been excited and
preoccupied at meeting Gaspard le Marchant’s daughter, on whom her stay
in safety and security at Marchant’s Hold depended, she might have seen
that Cylmer bent on her an uncomfortably searching stare.
But Cristiane had turned toward him.
“Good-by,” she said hastily; “so sorry you can’t come in.” And before
he could answer she had swept Mrs. Trelane into the house.
Mr. Cylmer was dismissed in disgrace.
Yet, as he turned away, he scarcely thought of it.
“Now, what,” he said to himself, “does that woman remind me of? I never
saw her before.” Yet the carriage of her head, her long throat, was
somehow familiar; and as he thought there came to him the sudden vision
of a little rose-colored room, full of a haunting scent of bitter
almonds.
“What nonsense!” he thought irritably. “Why should Sir Gaspard’s cousin
remind me of poor Abbotsford?” And then he stopped short, annoyingly
conscious that he must be making a fool of himself.
For he remembered now that Mrs. Trelane had held a handkerchief in her
hands. He had smelled that smell of bitter almonds in reality; the
woman and her handkerchief reeked of peach-blossom. And yet he was
puzzled--and might have been more so had he known whose strange green
eyes had peered at him through the crack of a sheltering door.
The woman in his thoughts was standing just then in her bedroom at
Marchant’s Hold, with her hostess beside her.
“You must be tired,” Cristiane said; “do come to dinner in a tea-gown.
We shall be alone, for there was no one I could have asked to meet you
except Miles Cylmer, whom you saw just now.”
“Miles Cylmer!” Mrs. Trelane turned her back sharply, in her sudden
sick surprise.
“Mr. Cylmer, of Cylmer’s Ferry. He lives near, and he comes very often
when father is at home.”
A new self-consciousness born of the afternoon kept the girl from
looking at her guest.
“Come down,” she said abruptly, “when you’re ready.”
The door had hardly closed behind her before Ismay, in the next room,
heard herself called.
“What is it?” she asked, standing in the doorway. “Are you ill?”
For Mrs. Trelane was sitting down as if her strength were gone, gazing
straight before her as one who sees a ghost.
“Ismay,” she said, “that man who was here this afternoon, do you know
who he is?”
The girl hesitated; had her mother known more than she knew about her
visit to the Palace Theater?
“Do I know his name?” she parried. “No--why?”
Mrs. Trelane rose, staggered, and sat down again.
“I can’t look,” she said. “Open the door into the passage and see if
that girl has gone. Quick!”
“It’s all right,” Ismay said, after a contemptuous survey. “Why? I
don’t see why you’re looking as if you were going to be seasick.”
“Look here,” Mrs. Trelane said roughly, “do you remember the Abbotsford
business? This man who was here to-day is Cylmer, of Cylmer’s Ferry.”
It was Ismay’s turn to stare with haggard eyes.
Public-domain text, read in full here on John Shaqi.
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