Sawdust & Spangles: Stories & Secrets of the CircusCoup, W. C. (William Cameron)
History
Sawdust & Spangles: Stories & Secrets of the Circus
Coup, W. C. (William Cameron)
Circus
When our men, as they came into Columbus to exhibit, saw that train
awaiting them, they sent up such a shout as has seldom been heard. Now
we had Pullman cars for the artists, sleeping cars for the laborers,
box cars for the extra stuff, palace cars for the horses and other
large animals, such as were required for teaming, parades, etc., and
platform cars for wagons, chariots, cages and carriages. Thus the
Herculean task of putting the first railroad show of any magnitude on
its own cars was successfully accomplished.
Little, indeed, do the managers of the present day know of the untiring
energy and indomitable perseverance necessary to accomplish that feat.
The railroad people themselves were utterly ignorant of our wants, as
we ourselves were in the beginning. Frequently, as at Washington, the
yardmaster would order us to load one car at a time, then switch it
away and commence on another. To load a train in this way would have
taken us twenty-four hours! Finally, however, system and good order
came out of chaos. Once properly launched on our season, we were able
to give three performances daily, and quite often made jumps of one
hundred miles in one night. The scheme, as I had predicted, completely
revolutionized the show business, and has been adopted since, not only
in this country, but by the French and English circus proprietors in
their travels in Germany. It also greatly advertised us, vast crowds
assembling at the depots to see us load and unload.
ON A RUNAWAY CIRCUS TRAIN
I once had a very thrilling experience while riding in the cab of the
locomotive pulling our train from Indiana, Pa. This station is on one
of the branches of the Pennsylvania Railroad, high up on the mountain,
the grade there being exceedingly heavy. It is, I believe, conceded to
be one of the steepest grades on that system. There is also a
horse-shoe bend, or curve, similar to the well-known one on the main
line. While standing on the platform, about the time the last car was
being loaded, I was accosted by the engineer, who inquired if I had
ever traveled on a locomotive and if I would like to take such a trip.
I replied that I would like to do so, and boarded the engine with him.
A few moments later the signal bell was rung and we pulled out into the
darkness. I placed myself so as not to be in the way of the engineer
and fireman and was soon lost in meditation.
The sensation was indescribably weird and thrilling. The scene was
shrouded in darkness, and, as we flew along the road, the only
discernible objects were the trees, which seemed to me like giant
sentinels saluting as we flew past. Now and then we caught glimpses of
lights in the mountain valleys, but they passed by like a streak of
lightning, so rapidly were we going.
"How far can your practiced eye discern objects on a night like this?"
I asked the engineer.
"Only a rod or two," he answered.
Public-domain text, read in full here on John Shaqi.
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