“When they ease themselves, they commonly go in the morning unto the Towne’s end, where there is a place purposely made for them, that they may not bee seene, so also because men passing by should not be molested with the smell thereof. They also esteeme it a bad thing that men should ease themselves upon the ground, and therefore they make houses which are borne up above the ground, wherein they ease themselves upon the ground, and every time they do it they wipe; or else they goe to the water’s side to ease themselves in the sand; and when the Priuie houses are full, they set fire to them, and let them burn to ashes; they pisse by jobs as dogs doe, and not all at one time.”—(Master Richard Jobson, A.D. 1620, “Gold Coast of Africa,” in Purchas, vol. ii. p. 932.) XXI. AN INQUIRY INTO THE NATURE OF THE RITES CONNECTED WITH THE WORSHIP OF BEL-PHEGOR. Precisely what ceremonial observances the ritual of Bel-Phegor demanded of the suppliant at his shrine is not likely ever to be known. It would be worse than useless to attempt in a treatise of this kind to affirm or deny the existence of the obscene usages alleged to have formed part of his worship; sufficient, at this moment, to lay before reflecting minds testimony on both sides of the question, with reasons for the belief that flatulence could be presented as an oblation, with examples of quaint customs which may partake of the nature of “survivals” from religious ceremonies of a nature not far removed from those supposed to have been associated with the rites of Bel-Phegor. Well has an old author remarked: “Men have lost their reason in nothing so much as their religion, wherein stones and clouts make martyrs; and since the religion of one seems madness to another, to afford an account or rational of old rites requires no rigid reader.”—(Sir Thomas Browne, “Religio Medici,” edition of Boston, 1868, p. 329, article “Urn-Burial.”) “Le Pet était une divinité des anciens Égyptiens; elle était la personnification d’une fonction naturelle. On la figurait par un enfant accroupi qui semble faire effort, et on peut en voir la représentation dans les ouvrages d’antiquité. Le poême Calotin, intitulé le Conseil de Momus (voyez aux Polygraphes) donne, contre la page 19, deux figures de ce dieu. L’une était en cornaline de trois couleurs; l’autre en terre cuite, se trouvait dans le cabinet du Marquis de Cospy, et la figure en a été donnée dans le Museum Cospianum. L’auteur de la Dissertation sur un ancien Usage (voyez le numéro 18) conteste que ces figurines se rapportent au Crepitus, et croit qu’elles ont été inventées dans un but plus solide.