In addition to the above, we have the testimony of Mr. Thomas V. Keam, who has lived for many years among the Moquis, and who confirms from personal observation all that has been here said. The extracts from personal correspondence with Professor Bandelier are of special value, that gentleman having devoted years of painstaking investigation to the history of the Pueblos, and acquired a most intimate knowledge of them, based upon constant personal observation and scholarship of the highest order. In a personal letter, dated Santa Fé, N. M., June 7, 1888, he tells, among much other most interesting information, that he saw at the Pueblo of Cochiti, on Nov. 10, 1880, “the Koshare eating their own excrement.” The following description of the “Club-house” of the Nehue-cue may be of interest: “It was twenty-one paces long, nine paces wide, with a banquette running round on three sides; in front of the altar were sacred bowls of earthenware, with paintings of tadpoles to typify water of summer, frogs for perennial water, and the sea-serpent for ocean water. (They describe the sea-serpent (_vibora del mar_) as very large, with feathers (spray?) on its head, eating people who went into the water, and when cut up with big knives yielding a great deal of oil.) In the first of the sacred dishes was a conch-shell from the sea, wands made of ears of corn, with hearts of chalchihuitl, and exterior ornamentation of the plumage of the parrot and turkey. Bowls of sacred meal (_kunque_) were on the floor; this sacred meal, to be found in niches in the house of every Zuñi, or for that matter of almost every pueblo throughout New Mexico and Arizona, is generally made of a mixture of blue corn-meal, shells, and chalchihuitl; but for more solemn occasions, as the old Indian Pedro Pino assured me, sea-sand is added. Around the room at intervals were pictographs of birds,—ducks and others,—nine in number on one side, and nine of clown-gods on the other. These pictures were fairly well delineated in black and in red and yellow ochre. The god of “The Winged Knife” was represented back of the altar. In this room were also kept several of the painted oblong wooden drums seen in every sacred dance.”—(Extract from personal notes of Captain Bourke, Nov. 17, 1881.)