Scenes and Characters of the Middle Ages: Third EditionCutts, Edward Lewes
History
Scenes and Characters of the Middle Ages: Third Edition
Cutts, Edward Lewes
Civilization, Medieval; Middle Ages -- Social life and customs
A few extracts from Bishop Poore's "Ancren Riewle," already several times
alluded to, will give life to the picture we have painted. Though intended
for the general use of recluses, it seems to have been specially
addressed, in the first instance, to three sisters, who, in the bloom of
youth, forsook the world, and became the tenants of a reclusorium. It
would seem that in such cases each recluse had a separate cell, and did
not communicate, except on rare occasions, with her fellow inmates; and
each had her own separate servant to wait upon her. Here are some
particulars as to their communication with the outer world. "Hold no
conversation with any man out of a church window, but respect it for the
sake of the Holy Sacrament which ye see there through;[156] and at other
times (other whiles) take your women to the window of the house (huses
thurle), other men and women to the parlour-window to speak when
necessary; nor ought ye (to converse) but at these two windows." Here we
have three windows; we have no difficulty in understanding which was the
church-window, and the parlour-window--the window _pour parler_; but what
was the house-window, through which the recluse might speak to her
servant? Was it merely the third glazed window, through which she might,
if it were convenient, talk with her maid, but not with strangers, because
she would be seen through it? or was it a window in the larger
anchorholds, between the recluse cell, and the other apartment in which
her maid lived, and in which, perhaps, guests were entertained? The latter
seems the more probable explanation, and will receive further confirmation
when we come to the directions about the entertainment of guests. The
recluse was not to give way to the very natural temptation to put her head
out of the open window, to get sometimes a wider view of the world about
her. "A peering anchoress, who is always thrusting her head outward," he
compares to "an untamed bird in a cage"--poor human bird! In another place
he gives a more serious exhortation on the same subject "Is not she too
forward and foolhardy who holds her head boldly forth on the open
battlements while men with crossbow bolts without assail the castle?
Surely our foe, the warrior of hell, shoots, as I ween, more bolts at one
anchoress than at seventy and seven secular ladies. The battlements of the
castle are the windows of their houses; let her not look out at them, lest
she have the devil's bolts between her eyes before she even thinks of
it." Here are directions how to carry on her "parlements":--"First of all,
when you have to go to your parlour-window, learn from your maid who it is
that is come; ... and when you must needs go forth, go forth in the fear
of God to a priest, ... and sit and listen, and not cackle." They were to
be on their guard even with religious men, and not even confess, except in
presence of a witness. "If any man requests to see you (_i.e._ to have the
Public-domain text, read in full here on John Shaqi.
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