Stow tells that in 1316, while Edward II. was solemnizing his Feast of Pentecost in his hall at Westminster, sitting royally at table, with his peers about him, there entered a woman adorned like a minstrel, sitting on a great horse, trapped as minstrels then used, who rode round about the tables showing her pastime. The reader will remember the use which Sir E. B. Lytton has made of a troop of tymbesteres in "The Last of the Barons," bringing them in at the epochs of his tale with all the dramatic effect of the Greek chorus: the description which he gives of their habits is too sadly truthful. The daughter of Herodias dancing before Herod is scornfully represented by the mediæval artists as a female minstrel performing the tumbling tricks which were part of their craft. We give a representation of a female minstrel playing the tambourine from the MS. Royal, 2 B vii. folio 182. [Illustration: _Female Minstrel._] A question of considerable interest to artists, no less than to antiquaries, is whether the minstrels were or not distinguished by any peculiar costume or habit. Bishop Percy[363] and his followers say that they were, and the assertion is grounded on the following evidences: Baldulph, the Saxon, in the anecdote already related, when assuming the disguise of a minstrel, is described as shaving his head and beard, and dressing himself in the habit of that profession. Alfred and Aulaff were known at once to be minstrels. The two poor priests who were turned out of the monastery by the dissolute monks were at first mistaken for minstrels. The woman who entered Westminster Hall at King Edward the Second's Pentecost feast was adorned like a minstrel, sitting on a great horse, trapped as minstrels then used.