Scenes and Characters, or, Eighteen Months at BeechcroftYonge, Charlotte M. (Charlotte Mary)
General
Scenes and Characters, or, Eighteen Months at Beechcroft
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction
‘Think how Eleanor went on telling us of duty, duty, duty—never making
allowances—never relaxing her stiff rules about trifles—never unbending
from her duenna-like dignity—never showing one spark of enthusiasm—making
great sacrifices, but only because she thought them her duty—because it
was right—good for herself—only a higher kind of selfishness—not because
her feeling prompted her.’
‘Certainly, feeling does not usually prompt people to give up their
lovers for the sake of their brothers and sisters.’
‘She did it because it was her duty,’ said Lily, ‘quite as if she did not
care.’
‘I wonder whether Frank thought so,’ said Claude.
‘At any rate you will confess that Emily is a much more engaging person,’
said Lily.
‘Certainly, I had rather talk nonsense to her,’ said Claude.
‘You feel it, though you will not allow it,’ said Lily. ‘Now think of
Emily’s sympathy, and gentleness, and sweet smile, and tell me if she is
not a complete personification of love. And then Eleanor,
unpoetical—never thrown off her balance by grief or joy, with no ups and
downs—no enthusiasm—no appreciation of the beautiful—her highest praise
“very right,” and tell me if there can be a better image of duty.’
Claude might have had some chance of bringing Lily to her senses, if he
had allowed that there was some truth in what she had said; but he
thought the accusation so unjust in general, that he would not agree to
any part of it, and only answered, ‘You have very strange views of duty
and of Eleanor.’
‘Well!’ replied Lily, ‘I only ask you to watch; Emily and I are
determined to act on the principle of love, and you will see if her
government is not more successful than that of duty.’
Such was the principle upon which Lily intended her sister to govern the
household, and to which Emily listened without knowing what she meant
much better than she did herself. Emily’s own views, as far as she
possessed any, were to get on as smoothly as she could, and make
everybody pleased and happy, without much trouble to herself, and also to
make the establishment look a little more as if a Lady Emily had lately
been its mistress, than had been the case in Eleanor’s time. Mr. Mohun’s
property was good, but he wished to avoid unnecessary display and
expense, and he expected his daughters to follow out these views, keeping
a wise check upon Emily, by looking over her accounts every Saturday, and
turning a deaf ear when she talked of the age of the drawing-room carpet,
and the ugliness of the old chariot. Emily had a good deal on her hands,
requiring sense and activity, but Lilias and Jane were now quite old
enough to assist her. Lily however, thought fit to despise all household
affairs, and bestowed the chief of her attention on her own
department—the village school and poor people; and she was also much
engrossed by her music and drawing, her German and Italian, and her verse
writing.
Public-domain text, read in full here on John Shaqi.
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