Scenes and Characters, or, Eighteen Months at BeechcroftYonge, Charlotte M. (Charlotte Mary)
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Scenes and Characters, or, Eighteen Months at Beechcroft
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction
As Emily had expected, her first troubles were with Phyllis; called, not
the neat handed, by her sisters; Master Phyl, by her brothers; and Miss
Tomboy, by the maids. She seemed born to be a trial of patience to all
concerned with her; yet without many actual faults, except giddiness,
restlessness, and unrestrained spirits. In the drawing-room, schoolroom,
and nursery she was continually in scrapes, and so often reproved and
repentant, that her loud roaring fits of crying were amongst the ordinary
noises of the New Court. She was terribly awkward when under constraint,
or in learning any female accomplishment, but swift and ready when at her
ease, and glorying in the boyish achievements of leaping ditches and
climbing trees. Her voice was rather highly pitched, and she had an
inveterate habit of saying, ‘I’ll tell you what,’ at the beginning of all
her speeches. She was not tall, but strong, square, firm, and active;
she had a round merry face, a broad forehead, and large bright laughing
eyes, of a doubtful shade between gray and brown. Her mouth was wide,
her nose turned up, her complexion healthy, but not rosy, and her stiff
straight brown hair was more apt to hang over her eyes, than to remain in
its proper place behind her ears.
Adeline was very different; her fair and brilliant complexion, her deep
blue eyes and golden ringlets, made her a very lovely little creature;
her quietness was a relief after her sister’s boisterous merriment, and
her dislike of dirt and brambles, continually contrasted with poor
Phyllis’s recklessness of such impediments. Ada readily learnt lessons,
which cost Phyllis and her teacher hours of toil; Ada worked deftly when
Phyllis’s stiff fingers never willingly touched a needle; Ada played with
a doll, drew on scraps of paper, or put up dissected maps, while Phyllis
was in mischief or in the way. A book was the only chance of interesting
her; but very few books took her fancy enough to occupy her long;—those
few, however, she read over and over again, and when unusual tranquillity
reigned in the drawing-room, she was sure to be found curled up at the
top of the library steps, reading one of three books—_Robinson Crusoe_,
_Little Jack_, or _German Popular Tales_. Then Emily blamed her
ungraceful position, Jane laughed at her uniform taste, and Lily proposed
some story about modern children, such as Phyllis never could like, and
the constant speech was repeated, ‘Only look at Ada!’ till Phyllis
considered her sister as a perfect model, and sighed over her own
naughtiness.
Public-domain text, read in full here on John Shaqi.
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