Scenes and Characters, or, Eighteen Months at BeechcroftYonge, Charlotte M. (Charlotte Mary)
General
Scenes and Characters, or, Eighteen Months at Beechcroft
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction
‘You know what papa said yesterday,’ was the answer.
‘Oh! but I thought your feelings were with poor Julian in the Tower,’
said Claude.
‘My feelings prompt me to sacrifice my pleasure in reading about him to
please papa, after he spoke so kindly.’
‘If that is always the effect of your principle, I shall think better of
it,’ said Claude.
Lily, whether from her new principle, or her old habits of obedience,
never ventured to touch one of her tempters till after five o’clock, but,
as she was a very rapid reader, she generally contrived to devour more
than a sufficient quantity every evening, so that she did not enjoy them
as much as she would, had she been less voracious in her appetite, and
they made her complain grievously of the dulness of the latter part of
Russell’s _Modern Europe_, which was being read in the schoolroom, and
yawn nearly as much as Phyllis over the ‘Pragmatic Sanction.’ However,
when that book was concluded, and they began Palgrave’s _Anglo Saxons_,
Lily was seized within a sudden historical fever. She could hardly wait
till one o’clock, before she settled herself at the schoolroom table with
her work, and summoned every one, however occupied, to listen to the
reading.
CHAPTER IV
HONEST PHYL
‘Multiplication
Is a vexation.’
IT was a bright and beautiful afternoon in March, the song of the
blackbird and thrush, and the loud chirp of the titmouse, came merrily
through the schoolroom window, mixed with the sounds of happy voices in
the garden; the western sun shone brightly in, and tinged the white
wainscoted wall with yellow light; the cat sat in the window-seat,
winking at the sun, and sleepily whisking her tail for the amusement of
her kitten, which was darting to and fro, and patting her on the head, in
the hope of rousing her to some more active sport.
But in the midst of all these joyous sights and sounds, was heard a
dolorous voice repeating, ‘three and four are—three and four are—oh dear!
they are—seven, no, but I do not think it is a four after all, is it not
a one? Oh dear!’ And on the floor lay Phyllis, her back to the window,
kicking her feet slowly up and down, and yawning and groaning over her
slate.
Presently the door opened, and Claude looked in, and very nearly departed
again instantly, for Phyllis at that moment made a horrible squeaking
with her slate-pencil, the sound above all others that he disliked. He,
however, stopped, and asked where Emily was.
‘Out in the garden,’ answered Phyllis, with a tremendous yawn.
‘What are you doing here, looking so piteous?’ said Claude.
‘My sum,’ said Phyllis.
‘Is this your time of day for arithmetic?’ asked he.
Public-domain text, read in full here on John Shaqi.
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