Scenes and Characters, or, Eighteen Months at BeechcroftYonge, Charlotte M. (Charlotte Mary)
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Scenes and Characters, or, Eighteen Months at Beechcroft
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction
Whereupon Phyllis cried the more, and Lily looked infinitely shocked.
‘This is philosophy and vain deceit,’ said she; ‘the very thing that
tends to infidelity.’
‘I can’t help it—it is universally allowed,’ said the boy doggedly.
It was fortunate that the next person who entered the room was Claude,
and all at once he was appealed to by the four disputants, Lily the
loudest and most vehement. ‘Claude, listen to him, and tell him to throw
away these hateful new lights, which lead to everything that is
shocking!’
‘Listen to him, with three ladies talking at once?’ said Claude. ‘No,
not Phyl—her tears only are eloquent; but it is a mighty war about the
token of peace and _love_, Lily.’
‘The love would be in driving these horrible philosophical speculations
out of Maurice’s mind,’ said Lily.
‘No one can ever drive out the truth,’ said Maurice, with provoking
coolness. ‘Don’t let her scratch out my eyes, Claude.’
‘I am not so sure of that maxim,’ said Claude. ‘Truth is chiefly
injured—I mean, her force weakened, by her own supporters.’
‘Then you agree with me,’ said Maurice, ‘as, in fact, every rational
person must.’
‘Then you are with me,’ said Lily, in the same breath; ‘and you will
convince Maurice of the danger of this nonsense.’
‘Umph,’ sighed Claude, throwing himself into his father’s arm-chair,
‘’tis a Herculean labour! It seems I agree with you both.’
‘Why, every Christian must be with me, who has not lost his way in a mist
of his own raising,’ said Lilias.
‘Do you mean to say,’ said Maurice, ‘that these colours are not produced
by refraction? Look at them on those prisms;’ and he pointed to an
old-fashioned lustre on the chimney-piece. ‘I hope this is not a part of
the Christian faith.’
‘Take care, Maurice,’ and Claude’s eyes were bent upon him in a manner
that made him shrink. And he added, ‘Of course I do believe that chapter
about Noah. I only meant that the immediate cause of the rainbow is the
refraction of light. I did not mean to be irreverent, only the girls
took me up in such a way.’
‘And I know well enough that you can make those colours by light on drops
of water,’ said Lily.
‘So you agreed all the time,’ said Claude.
‘But,’ added Lily, ‘I never liked to know it; for it always seemed to be
explaining away the Bible, and I cannot bear not to regard that lovely
bow as a constant miracle.’
‘You will remember,’ said Claude, ‘that some commentators say it should
be, “I _have_ set my bow in the cloud,” which would make what already
existed become a token for the future.
‘I don’t like that explanation,’ said Lily.
‘Others say,’ added Claude, ‘that there might have been no rain at all
till the windows of heaven were opened at the flood, and, in that case,
the first recurrence of rain must have greatly alarmed Noah’s family, if
they had not been supported and cheered by the sight of the rainbow.’
‘That is reasonable,’ said Maurice.
‘I hate reason applied to revelation,’ said Lily.
Public-domain text, read in full here on John Shaqi.
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