“All the more so,” Rastignac went on, “because Lucien is a really clever fellow. These gentlemen have had proof of it more than once,” and he turned to Blondet, Finot, and Lousteau. “Yes, the boy is cut out of the right stuff to get on,” said Lousteau, who was dying of jealousy. “And particularly because he has what we call independent ideas...” “It is you who trained him,” said Vernou. “Well,” replied Bixiou, looking at des Lupeaulx, “I trust to the memory of Monsieur the Secretary-General and Master of Appeals--that mask is La Torpille, and I will stand a supper on it.” “I will hold the stakes,” said du Chatelet, curious to know the truth. “Come, des Lupeaulx,” said Finot, “try to identify your rat’s ears.” “There is no need for committing the crime of treason against a mask,” replied Bixiou. “La Torpille and Lucien must pass us as they go up the room again, and I pledge myself to prove that it is she.” “So our friend Lucien has come above water once more,” said Nathan, joining the group. “I thought he had gone back to Angoumois for the rest of his days. Has he discovered some secret to ruin the English?” “He has done what you will not do in a hurry,” retorted Rastignac; “he has paid up.” The burly mask nodded in confirmation. “A man who has sown his wild oats at his age puts himself out of court. He has no pluck; he puts money in the funds,” replied Nathan. “Oh, that youngster will always be a fine gentleman, and will always have such lofty notions as will place him far above many men who think themselves his betters,” replied Rastignac. At this moment journalists, dandies, and idlers were all examining the charming subject of their bet as horse-dealers examine a horse for sale. These connoisseurs, grown old in familiarity with every form of Parisian depravity, all men of superior talent each his own way, equally corrupt, equally corrupting, all given over to unbridled ambition, accustomed to assume and to guess everything, had their eyes centered on a masked woman, a woman whom no one else could identify. They, and certain habitual frequenters of the opera balls, could alone recognize under the long shroud of the black domino, the hood and falling ruff which make the wearer unrecognizable, the rounded form, the individuality of figure and gait, the sway of the waist, the carriage of the head--the most intangible trifles to ordinary eyes, but to them the easiest to discern.