France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The private chambers of all the examining judges are on different floors
in this part of the building. They are reached by squalid staircases,
a maze in which those to whom the place is unfamiliar inevitably lose
themselves. The windows of some look out on the quay, others on the yard
of the Conciergerie. In 1830 a few of these rooms commanded the Rue de
la Barillerie.
Thus, when a prison van turns to the left in this yard, it has brought
prisoners to be examined to the “mousetrap”; when it turns to the right,
it conveys prisoners committed for trial, to the Conciergerie. Now it
was to the right that the vehicle turned which conveyed Jacques Collin
to set him down at the prison gate. Nothing can be more sinister.
Prisoners and visitors see two barred gates of wrought iron, with a
space between them of about six feet. These are never both opened at
once, and through them everything is so cautiously scrutinized that
persons who have a visiting ticket pass the permit through the bars
before the key grinds in the lock. The examining judges, or even the
supreme judges, are not admitted without being identified. Imagine,
then, the chances of communications or escape!--The governor of the
Conciergerie would smile with an expression on his lips that would
freeze the mere suggestion in the most daring of romancers who defy
probability.
In all the annals of the Conciergerie no escape has been known but
that of Lavalette; but the certain fact of august connivance, now amply
proven, if it does not detract from the wife’s devotion, certainly
diminished the risk of failure.
The most ardent lover of the marvelous, judging on the spot of the
nature of the difficulties, must admit that at all times the obstacles
must have been, as they still are, insurmountable. No words can do
justice to the strength of the walls and vaulting; they must be seen.
Though the pavement of the yard is on a lower level than that of the
quay, in crossing this Barbican you go down several steps to enter an
immense vaulted hall, with solid walls graced with magnificent columns.
This hall abuts on the Tour de Montgomery--which is now part of the
governor’s residence--and on the Tour d’Argent, serving as a dormitory
for the warders, or porters, or turnkeys, as you may prefer to call
them. The number of the officials is less than might be supposed; there
are but twenty; their sleeping quarters, like their beds, are in no
respect different from those of the _pistoles_ or private cells. The
name _pistole_ originated, no doubt, in the fact that the prisoners
formerly paid a pistole (about ten francs) a week for this
accommodation, its bareness resembling that of the empty garrets in
which great men in poverty begin their career in Paris.
Public-domain text, read in full here on John Shaqi.
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