France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
To the left, in the vast entrance hall, sits the Governor of the
Conciergerie, in a sort of office constructed of glass panes, where
he and his clerk keep the prison-registers. Here the prisoners for
examination, or committed for trial, have their names entered with a
full description, and are then searched. The question of their lodging
is also settled, this depending on the prisoner’s means.
Opposite the entrance to this hall there is a glass door. This opens
into a parlor where the prisoner’s relations and his counsel may speak
with him across a double grating of wood. The parlor window opens on
to the prison yard, the inner court where prisoners committed for trial
take air and exercise at certain fixed hours.
This large hall, only lighted by the doubtful daylight that comes in
through the gates--for the single window to the front court is screened
by the glass office built out in front of it--has an atmosphere and
a gloom that strike the eye in perfect harmony with the pictures that
force themselves on the imagination. Its aspect is all the more sinister
because, parallel with the Tours d’Argent and de Montgomery, you
discover those mysterious vaulted and overwhelming crypts which lead to
the cells occupied by the Queen and Madame Elizabeth, and to those known
as the secret cells. This maze of masonry, after being of old the scene
of royal festivities, is now the basement of the Palais de Justice.
Between 1825 and 1832 the operation of the last toilet was performed in
this enormous hall, between a large stove which heats it and the inner
gate. It is impossible even now to tread without a shudder on the paved
floor that has received the shock and the confidences of so many last
glances.
The apparently dying victim on this occasion could not get out of the
horrible vehicle without the assistance of two gendarmes, who took him
under the arms to support him, and led him half unconscious into the
office. Thus dragged along, the dying man raised his eyes to heaven in
such a way as to suggest a resemblance to the Saviour taken down
from the Cross. And certainly in no picture does Jesus present a more
cadaverous or tortured countenance than this of the sham Spaniard; he
looked ready to breathe his last sigh. As soon as he was seated in the
office, he repeated in a weak voice the speech he had made to everybody
since he was arrested:
“I appeal to His Excellency the Spanish Ambassador.”
“You can say that to the examining judge,” replied the Governor.
“Oh Lord!” said Jacques Collin, with a sigh. “But cannot I have a
breviary! Shall I never be allowed to see a doctor? I have not two hours
to live.”
Public-domain text, read in full here on John Shaqi.
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