France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
In our day, though philanthropy has brought incalculable mischief on
society, it has produced some good for the individual. It is to Napoleon
that we owe our Criminal Code; and this, even more than the Civil
Code--which still urgently needs reform on some points--will remain one
of the greatest monuments of his short reign. This new view of criminal
law put an end to a perfect abyss of misery. Indeed, it may be said
that, apart from the terrible moral torture which men of the better
classes must suffer when they find themselves in the power of the law,
the action of that power is simple and mild to a degree that would
hardly be expected. Suspected or accused criminals are certainly not
lodged as if they were at home; but every necessary is supplied to them
in the prisons of Paris. Besides, the burden of feelings that weighs on
them deprives the details of daily life of their customary value. It
is never the body that suffers. The mind is in such a phase of violence
that every form of discomfort or of brutal treatment, if such there
were, would be easily endured in such a frame of mind. And it must be
admitted that an innocent man is quickly released, especially in Paris.
So Lucien, on entering his cell, saw an exact reproduction of the first
room he had occupied in Paris at the Hotel Cluny. A bed to compare with
those in the worst furnished apartments of the Quartier Latin, straw
chairs with the bottoms out, a table and a few utensils, compose
the furniture of such a room, in which two accused prisoners are not
unfrequently placed together when they are quiet in their ways, and
their misdeeds are not crimes of violence, but such as forgery or
bankruptcy.
This resemblance between his starting-point, in the days of his
innocency, and his goal, the lowest depths of degradation and sham,
was so direct an appeal to his last chord of poetic feeling, that the
unhappy fellow melted into tears. For four hours he wept, as rigid in
appearance as a figure of stone, but enduring the subversion of all his
hopes, the crushing of all his social vanity, and the utter overthrow
of his pride, smarting in each separate _I_ that exists in an ambitious
man--a lover, a success, a dandy, a Parisian, a poet, a libertine, and a
favorite. Everything in him was broken by this fall as of Icarus.
Carlos Herrera, on the other hand, as soon as he was locked into his
cell and found himself alone, began pacing it to and fro like the polar
bear in his cage. He carefully examined the door and assured himself
that, with the exception of the peephole, there was not a crack in it.
He sounded all the walls, he looked up the funnel down which a dim light
came, and he said to himself, “I am safe enough!”
Public-domain text, read in full here on John Shaqi.
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