France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“You can have anything supplied to you that you ask for; I will give
orders to that effect by the usher who will take you back.”
Lucien mechanically signed the minutes and initialed the notes in
obedience to Coquart’s indications with the meekness of a resigned
victim. A single fact will show what a state he was in better than the
minutest description. The announcement that he would be confronted with
Jacques Collin had at once dried the drops of sweat from his brow, and
his dry eyes glittered with a terrible light. In short, he became, in an
instant as brief as a lightning flash, what Jacques Collin was--a man of
iron.
In men whose nature is like Lucien’s, a nature which Jacques Collin
had so thoroughly fathomed, these sudden transitions from a state of
absolute demoralization to one that is, so to speak, metallic,--so
extreme is the tension of every vital force,--are the most startling
phenomena of mental vitality. The will surges up like the lost waters
of a spring; it diffuses itself throughout the machinery that lies ready
for the action of the unknown matter that constitutes it; and then
the corpse is a man again, and the man rushes on full of energy for a
supreme struggle.
Lucien laid Esther’s letter next his heart, with the miniature she had
returned to him. Then he haughtily bowed to Monsieur Camusot, and went
off with a firm step down the corridors, between two gendarmes.
“That is a deep scoundrel!” said the judge to his clerk, to avenge
himself for the crushing scorn the poet had displayed. “He thought he
might save himself by betraying his accomplice.”
“Of the two,” said Coquart timidly, “the convict is the most
thorough-paced.”
“You are free for the rest of the day, Coquart,” said the lawyer. “We
have done enough. Send away any case that is waiting, to be called
to-morrow.--Ah! and you must go at once to the public prosecutor’s
chambers and ask if he is still there; if so, ask him if he can give me
a few minutes. Yes; he will not be gone,” he added, looking at a common
clock in a wooden case painted green with gilt lines. “It is but a
quarter-past three.”
These examinations, which are so quickly read, being written down at
full length, questions and answers alike, take up an enormous amount of
time. This is one of the reasons of the slowness of these preliminaries
to a trial and of these imprisonments “on suspicion.” To the poor this
is ruin, to the rich it is disgrace; to them only immediate release can
in any degree repair, so far as possible, the disaster of an arrest.
This is why the two scenes here related had taken up the whole of the
time spent by Asie in deciphering her master’s orders, in getting a
Duchess out of her boudoir, and putting some energy into Madame de
Serizy.
Public-domain text, read in full here on John Shaqi.
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