France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
At this moment Camusot, who was anxious to get the full benefit of his
cleverness, took the two documents, read them through, and promised
himself that he would show them to the public prosecutor and take his
opinion on them. During this meditation, his usher came back to tell
him that Madame la Comtesse de Serizy’s man-servant insisted on speaking
with him. At a nod from Camusot, a servant out of livery came in, looked
first at the usher, and then at the magistrate, and said, “I have the
honor of speaking to Monsieur Camusot?”
“Yes,” replied the lawyer and his clerk.
Camusot took a note which the servant offered him, and read as
follows:--
“For the sake of many interests which will be obvious to you, my
dear Camusot, do not examine Monsieur de Rubempre. We have brought
ample proofs of his innocence that he may be released forthwith.
“D. DE MAUFRIGNEUSE.
“L. DE SERIZY.
“_P. S._--Burn this note.”
Camusot understood at once that he had blundered preposterously
in laying snares for Lucien, and he began by obeying the two fine
ladies--he lighted a taper, and burned the letter written by the
Duchess. The man bowed respectfully.
“Then Madame de Serizy is coming here?” asked Camusot.
“The carriage is being brought round.”
At this moment Coquart came in to tell Monsieur Camusot that the public
prosecutor expected him.
Oppressed by the blunder he had committed, in view of his ambitions,
though to the better ends of justice, the lawyer, in whom seven years’
experience had perfected the sharpness that comes to a man who in his
practice has had to measure his wits against the grisettes of Paris,
was anxious to have some shield against the resentment of two women of
fashion. The taper in which he had burned the note was still alight,
and he used it to seal up the Duchesse de Maufrigneuse’s notes to
Lucien--about thirty in all--and Madame de Serizy’s somewhat voluminous
correspondence.
Then he waited on the public prosecutor.
The Palais de Justice is a perplexing maze of buildings piled one above
another, some fine and dignified, others very mean, the whole disfigured
by its lack of unity. The _Salle des Pas-Perdus_ is the largest known
hall, but its nakedness is hideous, and distresses the eye. This vast
Cathedral of the Law crushes the Supreme Court. The Galerie Marchande
ends in two drain-like passages. From this corridor there is a double
staircase, a little larger than that of the Criminal Courts, and under
it a large double door. The stairs lead down to one of the Assize
Courts, and the doors open into another. In some years the number
of crimes committed in the circuit of the Seine is great enough to
necessitate the sitting of two Benches.
Public-domain text, read in full here on John Shaqi.
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