France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
The great banker drank some tea, and was nibbling at a slice of bread
and butter, as a man does whose teeth have for long been sharpened by
appetite, when he heard a carriage stop at the little garden gate. In a
few minutes his secretary brought in Contenson, whom he had run to earth
in a cafe not far from Sainte-Pelagie, where the man was breakfasting on
the strength of a bribe given to him by an imprisoned debtor for certain
allowances that must be paid for.
Contenson, you must know, was a whole poem--a Paris poem. Merely to
see him would have been enough to tell you that Beaumarchais’
_Figaro_, Moliere’s _Mascarille_, Marivaux’s _Frontin_, and Dancourt’s
_Lafleur_--those great representatives of audacious swindling, of
cunning driven to bay, of stratagem rising again from the ends of its
broken wires--were all quite second-rate by comparison with this giant
of cleverness and meanness. When in Paris you find a real type, he is no
longer a man, he is a spectacle; no longer a factor in life, but a whole
life, many lives.
Bake a plaster cast four times in a furnace, and you get a sort of
bastard imitation of Florentine bronze. Well, the thunderbolts of
numberless disasters, the pressure of terrible necessities, had bronzed
Contenson’s head, as though sweating in an oven had three times over
stained his skin. Closely-set wrinkles that could no longer be relaxed
made eternal furrows, whiter in their cracks. The yellow face was all
wrinkles. The bald skull, resembling Voltaire’s, was as parched as a
death’s-head, and but for a few hairs at the back it would have seemed
doubtful whether it was that of a living man. Under a rigid brow, a
pair of Chinese eyes, like those of an image under a glass shade in a
tea-shop--artificial eyes, which sham life but never vary--moved but
expressed nothing. The nose, as flat as that of a skull, sniffed at
fate; and the mouth, as thin-lipped as a miser’s, was always open, but
as expressionless as the grin of a letterbox.
Contenson, as apathetic as a savage, with sunburned hands, affected
that Diogenes-like indifference which can never bend to any formality of
respect.
And what a commentary on his life was written on his dress for any one
who can decipher a dress! Above all, what trousers! made, by long wear,
as black and shiny as the camlet of which lawyers’ gowns are made! A
waistcoat, bought in an old clothes shop in the Temple, with a deep
embroidered collar! A rusty black coat!--and everything well brushed,
clean after a fashion, and graced by a watch and an imitation gold
chain. Contenson allowed a triangle of shirt to show, with pleats in
which glittered a sham diamond pin; his black velvet stock set stiff
like a gorget, over which lay rolls of flesh as red as that of a
Caribbee. His silk hat was as glossy as satin, but the lining would have
yielded grease enough for two street lamps if some grocer had bought it
to boil down.
Public-domain text, read in full here on John Shaqi.
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