Clergy -- Fiction; England -- Social life and customs -- 19th century -- Fiction
See how she rushes noiselessly, like a pale meteor, along the passages
and up the gallery stairs! Those gleaming eyes, those bloodless lips,
that swift silent tread, make her look like the incarnation of a fierce
purpose, rather than a woman. The mid-day sun is shining on the armour in
the gallery, making mimic suns on bossed sword-hilts and the angles of
polished breast-plates. Yes, there are sharp weapons in the gallery.
There is a dagger in that cabinet; she knows it well. And as a dragon-fly
wheels in its flight to alight for an instant on a leaf, she darts to the
cabinet, takes out the dagger, and thrusts it into her pocket. In three
minutes more she is out, in hat and cloak, on the gravel-walk, hurrying
along towards the thick shades of the distant Rookery. She threads the
windings of the plantations, not feeling the golden leaves that rain upon
her, not feeling the earth beneath her feet. Her hand is in her pocket,
clenching the handle of the dagger, which she holds half out of its
sheath.
She has reached the Rookery, and is under the gloom of the interlacing
boughs. Her heart throbs as if it would burst her bosom--as if every next
leap must be its last. Wait, wait, O heart!--till she has done this one
deed. He will be there--he will be before her in a moment. He will come
towards her with that false smile, thinking she does not know his
baseness--she will plunge that dagger into his heart.
Poor child! poor child! she who used to cry to have the fish put back
into the water--who never willingly killed the smallest living
thing--dreams now, in the madness of her passion, that she can kill the
man whose very voice unnerves her.
But what is that lying among the dank leaves on the path three yards
before her?
Good God! it is he--lying motionless--his hat fallen off. He is ill,
then--he has fainted. Her hand lets go the dagger, and she rushes towards
him. His eyes are fixed; he does not see her. She sinks down on her
knees, takes the dear head in her arms, and kisses the cold forehead.
‘Anthony, Anthony! speak to me--it is Tina--speak to me! O God, he is
dead!’
Chapter 14
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account