Clergy -- Fiction; England -- Social life and customs -- 19th century -- Fiction
‘Yes, Maynard,’ said Sir Christopher, chatting with Mr. Gilfil in the
library, ‘it really is a remarkable thing that I never in my life laid a
plan, and failed to carry it out. I lay my plans well, and I never swerve
from them--that’s it. A strong will is the only magic. And next to
striking out one’s plans, the pleasantest thing in the world is to see
them well accomplished. This year, now, will be the happiest of my life,
all but the year ’53, when I came into possession of the Manor, and
married Henrietta. The last touch is given to the old house; Anthony’s
marriage--the thing I had nearest my heart--is settled to my entire
satisfaction; and by-and-by you will be buying a little wedding-ring for
Tina’s finger. Don’t shake your head in that forlorn way;--when I make
prophecies they generally come to pass. But there’s a quarter after
twelve striking. I must be riding to the High Ash to meet Markham about
felling some timber. My old oaks will have to groan for this wedding,
but’--
The door burst open, and Caterina, ghastly and panting, her eyes
distended with terror, rushed in, threw her arms round Sir Christopher’s
neck, and gasping out--‘Anthony ... the Rookery ... dead ... in the
Rookery’, fell fainting on the floor.
In a moment Sir Christopher was out of the room, and Mr. Gilfil was
bending to raise Caterina in his arms. As he lifted her from the ground
he felt something hard and heavy in her pocket. What could it be? The
weight of it would be enough to hurt her as she lay. He carried her to
the sofa, put his hand in her pocket, and drew forth the dagger.
Maynard shuddered. Did she mean to kill herself, then, or ... or ... a
horrible suspicion forced itself upon him. ‘Dead--in the Rookery.’ He
hated himself for the thought that prompted him to draw the dagger from
its sheath. No! there was no trace of blood, and he was ready to kiss the
good steel for its innocence. He thrust the weapon into his own pocket;
he would restore it as soon as possible to its well-known place in the
gallery. Yet, why had Caterina taken this dagger? What was it that had
happened in the Rookery? Was it only a delirious vision of hers?
Public-domain text, read in full here on John Shaqi.
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