Scheherazade: a London night's entertainment — John Shaqi
Scheherazade: a London night's entertainmentWarden, Florence
General
Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
George was becomingly overwhelmed with indignation, though the
monotony of the narrator’s delivery, the pleasant atmosphere of the
half-darkened room, the window of which was shaded with thick blinds,
and the sight of Miss Nouna stretched comfortably in an American
well-cushioned chair, waving a palm-leaf lazily to keep the flies off,
and looking at him half shyly, half mischievously from behind it
through long black eyelashes, all tended to lull him into a drowsy
state, in which he half imagined himself to be in some tropical
country where passions spring up in a day to a fervour never felt in
foggy England, where life flows on without energy or effort, and where
woman, instead of being the modest partner of our joys and sorrows, is
the passionate, voluptuous and irresponsible source of them.
The apartment, though far smaller, more commonplace and less gorgeous
than the room which he had seen on his first visit, helped the
illusion. Tall narrow glasses from floor to ceiling on each side of
the door, reflected a long, two-tiered stand full of large-leaved
hothouse plants which ran the whole length of the windowed-wall of the
room. Half-a-dozen of these plants were little orange trees, their
round yellow fruit giving pretty touches of colour to the dark green
mass, while the white blossoms gave forth a faint, sweet perfume. The
glass over the mantelpiece was draped with dark tapestry curtains,
caught up here and there on each side by palm-leaf and peacock fans,
of the kind with which a freak of fashion has lately made us all
familiar. The curtains came down to the ground, while the deep valance
which hung from the mantelpiece over the empty fireplace was caught up
in the middle by a bronze statuette of a Hindoo girl, whose right arm
held high above her head a shaded lamp. A pair of black Persian
kittens were curled up asleep on a cushion at the feet of the statue.
A harp stood in one corner, and a guitar lay on a chair. The rest of
the room did not harmonise with these fantastic arrangements. The best
had been done to conceal a bilious “high art” carpet by means of
handsome rugs, and the table was beautified by an embroidered cover;
but the chairs and side-board breathed forth legends of no more
interesting locality than the Tottenham Court Road, and the walls were
made hideous by an obtrusive and yet melancholy paper.
George Lauriston noted all these things, and his curiosity about this
queer little household grew more intense. Who was this fascinating
young girl? Why was she living in this dingy corner of London with the
garrulous middle-aged lady who must evidently find her impulsive
charge “a handful”? The buzz of Mrs. Ellis’s tedious monologue began
at last to madden him, and he followed the young girl with eager eyes
as she slid off her chair and rang the bell.
Public-domain text, read in full here on John Shaqi.
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