Scheherazade: a London night's entertainmentWarden, Florence
General
Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
It was furnished with extreme simplicity and hung with the most
inexpensive kind of thin Indian curtains. There were two or three
small painted tables, on one of which was a common metal coffee-pot
surrounded by three or four tiny earthenware cups, while on another
stood a small decanter labelled brandy, an ice-pail, a stand with
soda-water bottles, two deep tumblers, and a liqueur glass. The seats
consisted of ottomans covered with dark striped stuff, a few plain
large cushions, and a couple of low chairs, very small in the seat and
very wide in the back. A brass lantern took the place formerly filled
by a chandelier, and gave forth a soft weak light through
orange-tinted glass. The floor was entirely covered by matting, which
added to the invitingly cool aspect of the room. To the right as he
entered from the front room, Lauriston noticed a tall paper screen
placed before the doorway of a third apartment, the door of which had
been taken away and replaced by thin coloured curtains, through which
there shone a much brighter light than that given by the brass lamp.
“My uncle’s room,” said Rahas, indicating the inner apartment with a
movement of his hand, as he brought forth for his guest, from a
cupboard in the wall behind the curtains, cigars, cigarettes, and a
hookah. “He gives up the best to me, though I am only a junior partner
in the firm, by right of my father--a mere clerk in fact.”
Lauriston took a cigar and seated himself in a chair; while his host
sat on one of the ottomans, his left elbow buried in a cushion,
languidly smoking a long hookah. Something in the atmosphere of the
room, its studied coolness, the stately composure of its owner, the
faint perfume which began to rise from the bubbling water of the
hookah, began to exercise over Lauriston the same enervating influence
which he had felt in the far more luxurious chamber above. The soft
voice of the merchant, speaking in measured tones, as if speech were
spontaneous music, lulled him into a state of dreamy expectancy of
some further experience new and strange.
“You would fall very easily and naturally into our Eastern ways, more
easily than most of your race, I think,” he said; and Lauriston felt
conscious, now that he saw him reclining at his ease, of a charm in
the manner of the Oriental which he had not seen before. “You can
rest, which is to most of the men of North Europe an impossibility.”
Lauriston sat upright in his chair, consciously struggling against the
charm which was ensnaring his senses. “What you call rest,” he said
earnestly, “is a temporary torpor necessary to you, a warmer-blooded
race, and is the natural reaction from your passionate moods, in which
you are all fire. But for us, a colder nation, what you call rest is a
dangerous soothing of the mind and stimulating of the senses, an
enslaving pleasure to be avoided by those who have a battle to fight,
and much to win. The only wholesome rest for us is dead, dreamless
sleep.”
Public-domain text, read in full here on John Shaqi.
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