Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.Freeman, Kenneth J. (Kenneth John)
History
Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.
Freeman, Kenneth J. (Kenneth John)
Education, Greek
In Hellas music was held to be an efficacious medicine for the ills
alike of body, soul, and mind. Even the grave and learned philosopher
Theophrastos, the pupil of Aristotle, asserted that the Phrygian
“harmony” on the flute was the proper means of curing lumbago.[687]
Pindar states that Apollo “gives to men and women cures for grievous
sickness, and invented the harp, and gives the Muse to whom he will,
bringing warless peace into the heart”:[688] the god of medicine is
the son of the god of the harp. The Pythagorean philosopher Kleinias,
when he was in a bad temper, used to take up his harp, saying, “I am
calming myself.”[689] He and his school regarded the harp as the true
means of attaining that peace and solemn orderliness of soul which as
true Dorian musicians they desired. Lukourgos produced at Sparta the
state of mind necessary to enable his reforms to be carried, by
sending from Crete a lyric poet named Thales, whose songs, by their
calm and orderly tune and rhythm, were an incentive to discipline and
concord: by this means the Spartans were imperceptibly calmed in
character.[690] The Arcadians, according to their compatriot Polubios,
from ancient times onwards “made music their foster-brother” from
their cradles till they were thirty years of age, in order to
counteract the brutalising tendencies of their rough life and harsh
climate; and the inhabitants of one district, Kunaitha, which
neglected this preventive, were notorious for their wickedness.[691]
Thus music came to be regarded as the best means of forming character.
It was only necessary to apply the right sort of “harmony” to the
young and susceptible personality, and the right “ethos” would be
produced. The Dorian was most in request for educational purposes: its
merits were universally recognised. For it “suitably represented the
notes and accents of a brave man in the presence of war or of any
other violent action, going to meet wounds or death or fallen into any
other misfortune, facing his fate with unflinching resolution.”[692]
Of the others, as has been said, Plato preferred the Phrygian and
Aristotle the Lydian.
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Public-domain text, read in full here on John Shaqi.
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