All appeared bright and promising; he was doing the work he desired at the school of his choice, health and vigour seemed fully restored, and a strenuous life as a Winchester Master lay before him, when an acute attack of the old trouble, borne with perfect patience, cut him off in the prime of his promise. Then, to quote his own translation of his epigram: When I was aweary, last and best They gave me dreamless rest; And sent me on my way that I might come Unknown, unknowing, Home. The work itself was never finished for the press; indeed, some chapters, dealing with Sokrates, Plato, and Aristotle, did not appear sufficiently complete to justify publication: these, therefore, we have withheld. But this book is in substance what he left it, and he was fully aware that the omitted chapters were in need of further revision. In any case, it would have been a labour of love to me to edit this dissertation; but the labour has been lightened at every turn by the ungrudging help and friendship of many Scholars. Dr. Verrall, besides contributing a Preface, has contributed much advice in general and in detail; Dr. Sandys has revised the proofs and given me the benefit of his comprehensive knowledge of the subject; Dr. Henry Jackson went through some of the later chapters and discussed points of general interest. The original Essay or the proofs have in addition been revised, from different points of view, by Mr. Edmund D. A. Morshead, late Fellow of New College, Oxford, and Mr. F. M. Cornford, Fellow of Trinity College, Cambridge. Mr. G. S. Freeman (brother of the author) is responsible for the Index; while Mr. W. R. H. Merriman has spent much pains upon verifying the numerous quotations. In a few cases Dr. F. G. Kenyon’s erudition came to the rescue. To all these my best thanks are due. Mr. A. Hamilton Smith of the British Museum was most helpful in identifying the vases from which the illustrations are derived. The author, who was a considerable draughtsman, had drawn scenes from Greek vases with his own hand; but of course our illustrations are derived from published reproductions, with two exceptions. The two British Museum vase-scenes (Illustrations III. and IV.) were specially drawn for this book: they have never been carefully reproduced before. I must thank the Syndics of the Pitt Press at Cambridge for their kind permission to reproduce their print of Douris’ Educational Vase from Dr. Sandys’ _History of Classical Scholarship_. The design which appears on the cover of this volume is also adapted from this vase. It remains to add a few sentences from a Statement which the author himself drew up: “I have,” he says, “confined my attention very largely for several years to original texts and eschewed the aid of commentaries.” This will be patent to the reader.