Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.Freeman, Kenneth J. (Kenneth John)
History
Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.
Freeman, Kenneth J. (Kenneth John)
Education, Greek
Learning to read must have been a difficult business in Hellas, for
books were written in capitals at this time. There were no spaces
between the words, and no stops were inserted. Thus, the reader had to
exercise much ingenuity before he could arrive at the meaning of a
sentence. Still more difficult for the boys to grasp was the Attic
accent, upon which the masters set a great importance. So difficult
was it, that few foreigners ever acquired it, and a born Athenian, if
he went abroad for a few years, often lost the power of speaking with
the Attic intonation. The first step in learning to read is to acquire
the alphabet. The Hellenes, wishing, as usual, to make learning as
easy as possible, seem to have put the alphabet into verse. A metrical
alphabet, ascribed to Kallias, a contemporary of Perikles, is still
extant, but in a mutilated form, which has been restored in several
not very convincing ways. Probably it has been adapted to suit
different alphabets, for there were several current in different parts
of Hellas. The following is a conjectural restoration:――
ἔστ’ ἄλφα, βῆτα, γάμμα, δέλτα τ’, εἶ τε, καί
[est’ alpha, bêta, gamma, delta t’, ei te, kai]
ζῆτ’, ἦτα, θῆτ’, ἴωτα, κάππα, λάβδα, μῦ,
[zêt’, êta, thêt’, iôta, kappa, labda, mu,]
νῦ, ξεῖ, τὸ οὖ, πεῖ, ῥῶ, τὸ σίγμα, ταῦ, τὸ ὖ,
[nu, xei, to ou, pei, rhô, to sigma, tau, to u,]
πάροντα φεῖ τε χεῖ τε τῷ ψεῖ εἰς τὸ ὦ.
[paronta phei te chei te tô psei eis to ô.]
This complete alphabet of twenty-four letters, which appears in modern
Greek Grammars, was not adopted for official purposes at Athens till
403 B.C., “but it is clear that it was in ordinary use at Athens
considerably earlier.”[237]
This metrical alphabet formed the prologue to what may be called a
spelling-drama, in which the whole process of learning to spell was
expressed either in iambic lines or in choral songs. Since its author,
Kallias, is coupled with Strattis, the comic poet,[238] it may be
inferred that the play was a comedy, not a tragedy; the chorus would
then be twenty-four in number. Each member of the chorus represented
one of the twenty-four letters. In the first choric song the letters
were put together in pairs, in the fashion of a spelling class. The
first strophé runs as follows:――
Beta Alpha BA
Beta Ei BĔ
Beta Eta BĒ
Beta Iota BI
Beta Ou BŎ
Beta U BU
Beta O BŌ[239]
Public-domain text, read in full here on John Shaqi.
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