Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.Freeman, Kenneth J. (Kenneth John)
History
Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.
Freeman, Kenneth J. (Kenneth John)
Education, Greek
_Wrestling_ (πάλη [palê]) was probably regarded as the most important
of these subjects, for it gave its name to the Palaistra. For this
exercise the soil was broken up with the pickaxe and watered: the
bodies of the combatants were oiled beforehand. By these means the
Hellenes prevented their boys from disfiguring their bodies with bumps
and bruises, and the slipperiness of the ground and of the
antagonist’s body made the exercise more difficult and therefore more
valuable. Three throws were necessary for victory. There were two
sorts of wrestling. In one the victor had to throw his antagonist
without coming to the ground himself; this was a matter of ingenious
twists and turns somewhat like the Japanese jiu-jitsu. In the other
both combatants rolled over and over on the ground: this was less
scientific. The leading paidotribai had their own favourite systems of
wrestling, with various openings, as in chess, and various ways of
meeting them. “What style of wrestling did you learn at the
Palaistra?” Kleon asks the sausage-seller.[385] When two boys were set
to wrestle in school, they were not allowed to contend as they pleased
with a view to victory, but had to carry out the directions of the
paidotribes.[386] A fragment of a system of wrestling has been
unearthed at Oxurhunchos.[387]
Suppose there are two boys, Charmides and Glaukon. The paidotribes
sets them to wrestle, while the rest of the class watch. He holds a
long forked stick in his hand. Pointing with it to Charmides, he says,
“You put your right hand between his legs and grip him.” Then to
Glaukon, “Close your legs on it, and thrust your left side against his
side.” To Charmides, “Throw him off with your left hand.” To Glaukon,
“Shift your ground, and engage.” Each group of directions, or figure
σχῆμα [schêma], as it was called, closes with the word “Engage” πλέξον
[plexon]. At this point, probably, the two boys were allowed to
wrestle at will, the result, however, being foreseen and inevitable
owing to the previous moves.
An epigram in the _Anthology_ represents instruction of this sort
being given: the boy retorts in the middle, “I can’t possibly do it,
Diophantos; that’s not the way boys wrestle.”[388]
Public-domain text, read in full here on John Shaqi.
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